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| 4.140 Ft
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| 1. | Overture to "William Tell"
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| 2. | Pastime With Good Company
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| 3. | Dieu, Qu'il la Fait Bon Regarder
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| 4. | Quant J'Ai Oy le Tabourin
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| 5. | Yver, Vous N'Estes Qu'un Villain
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| 6. | The Fool on the Hill
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| 7. | Lady Madonna
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| 8. | Day Tripper
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| 9. | Blackbird/I Will
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| 10. | Someone's Rocking My Dreamboat
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| 11. | Summertime
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| 12. | Another Hundred People
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| 13. | Clair de Lune
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| 14. | Gunn, Peter
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| 15. | 1812 Overture
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Jazz
Harmony Vocal Group
Vocal Jazz
Pop
Recorded: Dec 1988-May 1, 1989
In this reviewers opinion this is the recording which will leave anyone begging for more of the Swingle Singers. If you haven't yet been introduced to the new Swingles, but just have a vague memory of the early work (which was revolutionary in its day, don't forget!) you're in for a treat. 1812 presents a wonderful variety of studio work with several of the live pieces which are events. The "Overture to William Tell" and the fabulous "1812 Overture" sandwich a song written by Henry VIII,complete with vocal crumhorn recorder and drum, a couple by the Beatles, Debussy's "Trois Chansons," Henry Mancini's "Peter Gunn," a Gershwin and a Sondheim. But 1812! The full orchestra, brass band, and cannons, and church bells are all performed live by eight singers!!!
The Swingle Singers
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: 1962
Died: 1973
Genre: Jazz
Styles: Pop, Vocal Pop, Acappella, Vocal Jazz, Classical Pop, Harmony Vocal Group
A French vocal group famed for tackling all manner of classical material (baroque, fugues, madrigals, orchestral overtures) and switching them to an a cappella swing setting, the Swingle Singers was formed in Paris during the early '60s by American expatriate Ward Swingle. By the time of their 1963 album debut, the group comprised eight voices -- Swingle, Christiane Legrand (sister of Michel), Jean-Claude Briodin, Anne Germain, Claude Germaine, Jean Cussac, Claudine Meunier and Jeanette Baucomont. That album, Jazz Sebastian Bach (titled Bach's Greatest Hits in America), earned the group a Grammy award and almost made the Top Ten.
The novelty inherent in an eight-voice scatting choir resulted in dozens of television and radio appearances around the world during the mid-'60s. Somehow the group also managed to record follow-up LPs Going Baroque in 1964 and Anyone for Mozart? one year later. Both were Grammy winners as well -- though Best Performance by a Chorus definitely wasn't the most competitive category at the awards ceremony. In an era when vocal choruses increasingly slipped down the easy-listening slope however, the Swingle Singers moved in precisely the opposite direction. In 1969, a subsidiary group called Swingles II premiered Sinfonia, a composition by the avant-garde composer Lucianio Berio that also utilized the New York Philharmonic.
After a move to England in 1973, Ward Swingle recruited a new Swingle Singers and changed musical direction, incorporating material from the avant-garde as well as the Renaissance era and jazz. Swingle himself retired from active performance in 1984, but continued on as music director. The group continued to tour the world into the '90s, performing operas by Azio Corghi and Berio, appearing in compositions with ballet companies, and holding various classes and workshops as well.
---John Bush, All Music Guide |
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