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Swingling Telemann
The Swingle Singers
első megjelenés éve: 1966
(2007)

CD
4.996 Ft 

 

IMPORT!
Kosaramba teszem
1.  G.P.Telemann Concerto A Six -- Allegro
2.  G.P.Telemann Concerto A Six -- Adagio
3.  G.P.Telemann Concerto A Six -- Presto
4.  G.P.Telemann Concerto A Six -- Adagio
5.  G.P.Telemann Concerto A Six -- Allegro
6.  F.Couperin -- 4&
7.  G.P.Telemann -- Gigue De La Suite Pour Cordes --La Lyra--
8.  G.Muffat -- Fugue En Ré Mineur
9.  G.P.Telemann Trio De La Sonate Mi Maj -- Presto
10.  G.P.Telemann Concerto La Maj Hautbois Et Cordes -- Larghetto
11.  L.C.Daquin 1er Livre Pour Clavecin --A Mlle De Soubise-- -- Le Coucou
12.  B.Marcello Sonate N°4 Flute Et Basse Cont Mi Mineur-- Presto --
13.  J.J.Quantz Sonate En Do Mineur -- Allegro
14.  J.J.Quantz Sonate En Do Mineur -- Andante Moderato
15.  J.J.Quantz Sonate En Do Mineur -- Vivace
Jazz
Harmony Vocal Group
Vocal Jazz

Recorded: 1966

The witty, fun Swingle Singers do their thing on SWINGLING TELEMANN, which includes the Singers' unique treatments of numerous Telemann classics.

The German reissue comes with remastered sound.

"Telemann" is a re-release of the Swingles' fifth album, and it features the original energetic collage album cover, the funky 1960's curlicue lettering, and a great picture of the eight 1966 Swingles, in formal dress, sharing 4 stand-up microphone in front of Guy Pedersen on double bass, Daniel Humair on drums and seven fake Classic stage columns. Having "swingled" Bach, Vivaldi, Handel, Mozart et al in their first four albums, the copy reads, next up is Georg Philipp Telemann, with single pieces by Francois Couperin, Georg Muffat, Louis-Claude Daquin, Benedetto Marcello and Johann Joachim Quantz. 15 pieces, our favorites are the 6 short movements of Telemann's "Concerto A Six," Muffat's "Fugue in D Minor," Telemann's lively "Presto," featuring lead soloist Christiane Legrand paired with Jeanette Baucomont. Daquin's bouncy "Le Coucou," Marcello's "Presto" and Quantz' "Sonata in C Minor." In 1966 "swingling" was a word spontaneously coined by music critics upon hearing the group's recordings and concerts. Its meaning: extremely musical, baroque, modern, joyous and lively. Telemann might have added "fun," but close enough!

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