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| Nice Day with Buddy Collette |
| Buddy Collette |
első megjelenés éve: 1957
39 perc |
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| (2006)
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CD |
| 4.698 Ft
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| 1. | A Nice Day
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| 2. | There Will Never Be Another You
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| 3. | Minor Deviation
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| 4. | Over the Rainbow
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| 5. | Change It
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| 6. | Moten Swing
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| 7. | I'll Remember April
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| 8. | Blues for Howard
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| 9. | Fall Winds
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| 10. | Buddy Boo
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Jazz / West Coast Jazz; Cool
Recorded: Nov 6, 1956-Feb 18, 1957
It is hardly surprising that Buddy Collette was among the first black musicians to crack the lucrative Los Angeles studio scene in the late Forties, given his mastery of the clarinet, flute, and saxophone families. Collette's talents as a soloist were ignored, though, until he emerged in the original Chico Hamilton Quintet and on his own Contemporary albums. This set was his second for the label and, with its exclusive diet of quartet performances, provides an even clearer showcase for Collette the improviser than the previous Man of Many Parts. Collette is heard here on clarinet, flute, alto sax, and tenor sax in a balanced program of standards and infectious originals.
Buddy Collette, Don Friedman, Dick Shreve, Calvin Jackson, John Goodman, Leroy Vinnegar, Bill Dolney, Shelly Manne
Buddy Collette
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Aug 06, 1921 in Los Angeles, CA
Genre: Jazz
Styles: Cool, West Coast Blues, West Coast Jazz
An important force in the Los Angeles jazz community, Buddy Collette was an early pioneer at playing jazz on the flute. Collette started on piano as a child and then gradually learned all of the woodwinds. He played with Les Hite in 1942; led a dance band while in the Navy during World War II; and then freelanced in the L.A. area with such bands as the Stars of Swing (1946), Edgar Hayes, Louis Jordan, Benny Carter, and Gerald Wilson (1949-1950). An early teacher of Charles Mingus, Collette became the first black musician to get a permanent spot in a West Coast studio band (1951-1955). He gained his greatest recognition as an important member of the Chico Hamilton Quintet (1955-1956), and he recorded several albums as a leader in the mid- to late '50s for Contemporary. Otherwise, he mostly stuck to the L.A. area, freelancing, working in the studios, playing in clubs, teaching, and inspiring younger musicians. Although a fine tenor player and a good clarinetist, Collette's most distinctive voice is on flute; he recorded an album with one of his former students, the great James Newton (1989). In addition, Collette participated in a reunion of the Chico Hamilton Quintet, and recorded a two-disc "talking record" for the Issues label in 1994, in which he discussed some of what he had seen and experienced through the years.
---Scott Yanow, All Music Guide |
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