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| The Definitive Art Tatum |
| Art Tatum |
első megjelenés éve: 2002
51 perc |
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| (2006)
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CD |
| 3.861 Ft
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| 1. | The Shout
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| 2. | Sweet Emalina, My Gal
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| 3. | Elegie
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| 4. | Get Happy
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| 5. | Aunt Hagar's Blues
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| 6. | Nice Work If You Can Get It
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| 7. | It's the Talk of the Town
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| 8. | Makin' Whoopee
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| 9. | Goin' Home
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| 10. | Blue Skies
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| 11. | Someone to Watch Over Me
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| 12. | Mine
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| 13. | Yesterdays
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| 14. | Jitterbug Waltz
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| 15. | Mr. Freddie Blues
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| 16. | (Back Home Again In) Indiana
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Jazz / Swing
When a young Hank Jones first heard Art Tatum on radio, he was convinced that a trick record was being aired-one where two or even three pianists' playing had been overlaid. Tatum had a similarly incredulous effect even on those who went to his live appearances - he played so much piano that they couldn't believe what they were seeing.
There is no argument anywhere about Tatum's superhuman technique: He was the most accomplished pianist in jazz history. But while his complex, dense harmonies have always been identified by other pianists as beyond reach, it has been his fantastic rhythmic sense that always attracted fans. That ceaseless swing never deserted him, even in his valedictory, unaccompanied solo recordings, which were done for Norman Granz.
Art Tatum- Piano
With
Everett Barksdale - guitar
Slam Stewart - bass
The Definitive Series
Blue Note Records and The Verve Music Group have joined together to launch The Definitive Series, which honors the classic artists of jazz with collections that span the archives of both label groups. This is the first time in history that the two labels have worked together on a project of this nature, pooling their archives to create complete documents of these jazz legends' talents. Each of the titles in The Definitive Series represents the true highlights of such wide-ranging artists as Chet Baker, Nat "King" Cole, Stan Getz, and Sarah Vaughan.
Each album in The Definitive Series represents the artist at their best, as they recorded for different labels during the peaks of their careers. The songs were drawn from the diverse catalogs of Blue Note, Capitol, Decca, EmArcy, Impulse!, Mercury, MGM, Pacific Jazz, Roost, Roulette, and Verve, among others. |
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