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Lee Konitz New Nonet [ ÉLŐ ] |
Lee Konitz |
első megjelenés éve: 2006 71 perc |
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(2006)
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 CD |
4.731 Ft
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1. | Chromaticlee Suite: Outward
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2. | Chromaticlee Suite: Big Easy
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3. | Chromaticlee Suite: West Coast
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4. | Chromaticlee Suite: Funky
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5. | Chromaticlee Suite: Ominous
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6. | Chromaticlee Suite: Colorful
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7. | Springin'
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8. | Ohad
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9. | Warmer in Heaven
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10. | Wallz
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11. | Rubato
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Jazz / Post-Bop; Cool; Modern Creative
Lee Konitz - Sax (Alto), Soloist Ben Monder - Guitar Bob Bowen - Bass Dennis Lee - Clarinet (Bass) Jacob Garchik - Soloist, Trombone Matt Wilson - Drums, Soloist Ohad Talmor - Direction, Musical Direction, Producer, Sax (Tenor), Soloist Oscar Noriega - Clarinet (Bass) Russ Johnson - Soloist, Trumpet
Living jazz legend Lee Konitz assembled his fabled nonet to record live at NY's Jazz Standard, featuring new Konitz originals expertly arranged and directed by international composer/saxophonist Ohad Talmor. Swingin' and spine-tingling!
* Frank Tafuri - Executive Producer, Liner Notes, Photography, Producer * Frau Kranift - Design * Jon Rosenberg - Engineer * Katherine Miller - Mastering, Mixing
Alto saxophonist Lee Konitz has recorded with larger ensembles on occasion, though he is primarily known for his small group recordings. This nonet, which is directed by tenor saxophonist Ohad Talmor (who also collaborated on several of the pieces), catches the band at its best, recorded over several nights in New York City's Jazz Standard. The "ChromaticLee Suite," jointly written by the two saxophonists, is a fun-filled work, created from over 100 melodies suggested to Talmor by Konitz. "Outward" begins with the altoist quoting a number of different familiar pieces, while "Big Easy" is a loping, lazy blues. "West Coast" is also sauntering but with a decidedly complex interplay between Konitz and trumpeter Russ Johnson. "Funky" is well named, a treat for fans of drummer Matt Wilson with some hot arco cello by Dimos Goudaroulis as well. Likewise, "Ominous" is a very appropriate title, with a menacing rhythm section and deep brass lines backing the saxophonists. The individual pieces are just as stimulating, especially Konitz's melancholy "Springin'" and the intricate collaboration "Waltz." --- Ken Dryden, All Music Guide |
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