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| Trio Classics, Vol. 1 |
| Shirley Scott |
| első megjelenés éve: 2004 |
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| (2004)
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CD |
| 4.161 Ft
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| 1. | The Scott
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| 2. | All of You
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| 3. | Goodbye
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| 4. | Four
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| 5. | Nothing Ever Changes My Love for You
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| 6. | Trees
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| 7. | Cherokee
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| 8. | Brazil
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| 9. | It Could Happen to You
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| 10. | Summertime
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| 11. | There Will Never Be Another You
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| 12. | Bye Bye Blackbird
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| 13. | S'posin'
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| 14. | Baby Won't You Please Come Home
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| 15. | (Back Home Again In) Indiana
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| 16. | I Can't See for Lookin'
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Jazz
Shirley Scott - Organ
Arthur Edgehill - Drums
George Duvivier - Bass
* Bob Weinstock - Supervisor
* Ira Gitler - Liner Notes
* Joe Goldberg - Liner Notes
* Joe Tarantino - Remastering
* Rudy Van Gelder - Engineer
Although the title gets you geared for a compilation, in fact all 16 of the tracks on this CD came from a single session on May 23, 1958. It was Scott's first session as a leader, in fact, yielding her two albums Great Scott! and Shirley's Sounds, and everything from those two LPs is on this single-disc reissue. Recorded with the rhythm section of George Duvivier on bass (except for "Bye Bye Blackbird," where George Tucker plays the instrument) and Arthur Edgehill on drums, it's sleek, swinging stuff that might not be as well known as Jimmy Smith's early work, but was similarly important in establishing the format and popularity of organ jazz. Scott is a virtuoso here, adept at spinning off speedy riffs, quickly gliding to exclamatory notes, and making the instrument swirl and swell, but never at the expense of a soulful feel. The shortage of original material is a bit disappointing, with just one track ("The Scott") composed by Scott, the rest being covers, often of standards such as "Summertime," "Bye Bye Blackbird," and "All of You." Despite that imbalance, it's a good mixture, at times bopping along frenetically ("[Back Home Again In] Indiana"), at others adopting a bluesy walk ("I Can't See for Lookin'") or a Latin lilt ("Brazil"), and also mellowing down into some slow ballads.
---Richie Unterberger, All Music Guide
Shirley Scott
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Mar 14, 1934 in Philadelphia, PA
Died: Mar 10, 2002
Genre: Jazz
Styles: Hard Bop, Soul-Jazz
An admirer of the seminal Jimmy Smith, Shirley Scott has been one of the organ's most appealing representatives since the late '50s. Scott, a very melodic and accessible player, started out on piano and played trumpet in high school before taking up the Hammond B-3 and enjoying national recognition in the late '50s with her superb Prestige dates with tenor sax great Eddie "Lockjaw" Davis. Especially popular was their 1958 hit "In the Kitchen." Her reputation was cemented during the '60s on several superb, soulful organ/soul-jazz dates where she demonstrated an aggressive, highly rhythmic attack blending intricate bebop harmonies with bluesy melodies and a gospel influence, punctuating everything with great use of the bass pedals. Scott married soul-jazz tenor man Stanley Turrentine, with whom she often recorded in the '60s. The ScottTurrentine union lasted until the early '70s, and their musical collaborations in the '60s were among the finest in the field. Scott wasn't as visible the following decade, when the popularity of organ combos decreased and labels were more interested in fusion and pop-jazz (though she did record some albums for ChessCadet and Strata East). But organists regained their popularity in the late '80s, which found her recording for Muse. Though known primarily for her organ playing, Scott is also a superb pianist -- in the 1990s, she played piano exclusively on some trio recordings for Candid, and embraced the instrument consistently in Philly jazz venues in the early part of the decade. At the end of the '90s, Scott's heart was damaged by the diet drug combination, fen-phen, leading to her declining health. In 2000 she was awarded $8 million in a lawsuit against the manufacturers of the drug. On March 10, 2002 she died of heart failure at Presbyterian Hospital in Philadelphia.
---Alex Henderson and Ron Wynn, All Music Guide |
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