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| 3.056 Ft
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| 1. | The Very Thought of You
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| 2. | You Will Be My Music
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| 3. | There Is No Greater Love
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| 4. | Sound of Love [*]
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| 5. | The Nearness of You
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| 6. | Easy Livin'
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| 7. | How Deep Is the Ocean?
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| 8. | I Won't Last a Day Without You
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| 9. | We'll Be Together Again
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Jazz
Flip Phillips - Sax (Tenor)
Allen Vizzutti - Flugelhorn, Trumpet
Bill Byrne - Flugelhorn, Trumpet
Bruce Johnstone - Clarinet (Bass), Flute, Sax (Baritone)
Dennis Dotson - Flugelhorn, Trumpet
Frank Tiberi - Clarinet, Flute, Sax (Tenor)
Gary Anderson - Arranger, Conductor, Flute, Flute (Alto), Musical Director, Sax (Tenor)
Glenn Drewes - Flugelhorn, Trumpet
Harry Bluestone - Concert Master, Violin
Jack Arnold - Percussion
Jay Sollenberger - Flugelhorn, Trumpet
Jeff Hamilton - Drums, Percussion
Jim Daniels - Trombone (Bass)
Joe Lovano - Flute, Sax (Tenor)
Larry Farrell - Trombone
Mark Johnson - Bass (Acoustic), Bass (Electric)
Nelson Hatt - Flugelhorn, Trumpet
Pat Coil - Fender Rhodes, Piano
Woody Herman - Clarinet, Leader, Producer, Sax (Alto)
* Bob Edmondson - Producer
* Glen Glancy - Producer
* Joe Sidore - Digital Mastering
* Nat Pierce - Arranger
* Tom Gramuglia - Executive Producer
Flip Phillips
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Feb 26, 1915 in Brooklyn, NY
Died: Aug 17, 2001 in Fort Lauderdale, FL
Genre: Jazz
Styles: Bop, East Coast Blues, Jump Blues, Mainstream Jazz, Swing
Flip Phillips, who angered some critics early on because he gained riotous applause for his exciting solos during Jazz at the Philharmonic concerts, for over 50 years was an excellent tenor saxophonist equally gifted on stomps, ballads, and standards. He played clarinet regularly in a Brooklyn restaurant during 1934-1939, was in Frankie Newton's group (1940-1941), and spent time in the bands of Benny Goodman, Wingy Manone, and Red Norvo. However, it was in 1944 that he had his breakthrough. As a well-featured soloist with Woody Herman's Herd (1944-1946), Phillips became a big star. His warm tenor was most influenced by Ben Webster but sounded distinctive even at that early stage. He toured regularly with Jazz at the Philharmonic during 1946-1957, scoring a bit of a sensation with his honking solo on "Perdido" and holding his own with heavy competition (including Charlie Parker and Lester Young). He occasionally co-led a group with Bill Harris, and that band was the nucleus of the ensemble that Benny Goodman used in 1959. Phillips then retired to Florida for 15 years, playing on just an occasional basis, taking up the bass clarinet as a double and making only a sporadic record date. But by 1975 he was back in music full-time, making quite a few records and playing at festivals and jazz parties. Even as he passed his 80th birthday, Flip Phillips had lost none of the enthusiasm or ability that he had a half-century earlier.
---Scott Yanow, All Music Guide |
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