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Kérjen
árajánlatot! |
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| 1. | Paper Tiger
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| 2. | Tropicalia
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| 3. | Mixed Buziness
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| 4. | The New Pollution
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| 5. | Devils Haircut
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| 6. | Sexx Laws
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| 7. | Loser
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| 8. | Jack Ass
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| 9. | Where It's At
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| 10. | He's a Mighty Good Leader
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| 11. | Nobody's Fault
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Jazz
Dr. Lonnie Smith
David "Fathead" Newman - Sax (Tenor)
Doug Munro - Arranger, Guitar, Producer
* Charlie Dahan - Associate Producer
* Joe Ferry - Associate Producer
* Joel Spielman - Executive Producer
* Karrie M. Miller - Art Direction, Design
* Michael Messier - Engineer
* Peter Denenberg - Mixing
* Rebecca Haviland - Production Assistant
* Ryan Foster - Mastering
On this unusual set, organist Dr. Lonnie Smith, with guitarist Doug Munro, and (on five of the 11 selections) tenor-saxophonist David "Fathead" Newman do the improbable. On Boogaloo to Beck: A Tribute, Smith takes a full set of songs by rock performer Beck and turns them into funky soul-jazz. In fact, the results often sound like a late-1960s Blue Note album. The individual selections are not all that memorable or inspiring (it is doubtful that any of these Beck tunes will catch on in jazz), but Smith and his bandmates play quite well and deserve credit for trying to come up with fresh material for their grooves.
--- Scott Yanow, All Music Guide
Dr. Lonnie Smith
Active Decades: '60s, '70s, '80s, '90s and '00s
Genre: Jazz
Styles: Ballads, Crossover Jazz, Fusion, Hard Bop, Jazz Blues, Jazz-Funk, Post-Bop, Soul-Jazz
Organist Lonnie Smith has often been confused with keyboardist/pianist Lonnie Liston Smith -- and, in fact, more than a few retailers have wrongly assumed that they're one and the same. In the mid-'60s, the Hammond hero earned recognition for his membership in George Benson's classic quartet before going on to play with Lou Donaldson (contributing some memorable solos to the alto saxman's hit 1967 album Alligator Bogaloo) and recording enjoyable dates of his own for Blue Note. For all their accessibility and commercial appeal, funk-influenced Smith sessions like 1968's Think and 1970's Drives showed that he could be quite imaginative. Smith, who later became Dr. Lonnie Smith (for "no particular reason", the same reason he gives for why he always wears a turban), remained an inspired representative of soul-jazz and did some solid work with Donaldson in the '90s.
---Alex Henderson, All Music Guide |
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