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| 1. | Toccata and Fugue
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| 2. | Air on the G String
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| 3. | Invention No. 4
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| 4. | Kyrie
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| 5. | Minute
A Lover's Concerto
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| 6. | Siciliano
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| 7. | Fugue No. 2
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Jazz / Bop; Swing
Recorded: February 5-6, 2000, Warehouse Studio, New York, New York
David Matthews - saxophone
Bill Evans - soprano & tenor saxophones, flute
Chris Hunger - alto saxophone, flute
Lew Soloff - trumpet
Ryan Kisor - trumpet
Joe Shepley - trumpet
Scott Wendholdt - trumpet
Fred Griffen - French horn
John Clark - French horn
Jim Pugh - trombone
Larry Farrell - trombone
Birch Johnson - trombone
David Taylor - trombone
Tony Price - tuba
Roger Rosenberg - bass clarinet
Chip Jackson - bass
Terry Silverlight - drums
David Matthews' arrangements of the music of Johann Sebastian Bach for the Manhattan Jazz Orchestra are ambitious, to say the least. Eschewing any keyboard instruments, he relies on the considerable chops of his 16-piece big band to follow his demanding charts. The opening track, "Toccata and Fugue (In D Minor)," is probably his greatest success, with a driving, up-tempo performance that proves exhilarating. The use of muted trumpets and brushes to introduce "Minuet (A Lover's Concerto)" and the surprising twists that slip into his charts are noteworthy. Sadly, none of the soloists are identified in Kazutomi Aoki's liner notes, though there are several outstanding trumpet solos. Unfortunately, many of the slower pieces such as the ponderous "Kyrie," although well executed, just don't keep one's attention, and as a result, it is difficult to listen to the entire CD at once. There's no questioning the musicianship within this release, but it falls short of being an essential purchase for those who enjoy Baroque music transformed into a jazz setting.
---Ken Dryden, AMG
Includes liner notes by Kazutomi Aoki. |
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