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| Music for The Films of Buster Keaton - Go West |
FILMZENE
Bill Frisell |
amerikai
első megjelenés éve: 1995
70 perc |
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| (2006)
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CD |
Kérjen
árajánlatot! |
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| 1. | Down on Luck
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| 2. | Box Car
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| 3. | Busy Street Scene
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| 4. | Go West
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| 5. | Train
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| 6. | Brown Eyes
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| 7. | Saddle Up!
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| 8. | First Aid
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| 9. | Bullfight
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| 10. | Wolves
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| 11. | New Day
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| 12. | Branded
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| 13. | Eats
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| 14. | Splinter Scene
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| 15. | Cattle Drive
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| 16. | Card Game
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| 17. | Ambush
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| 18. | Passing Through Pasadena
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| 19. | To the Streets
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| 20. | Tap Dancer and Confusion
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| 21. | Devil Suit
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| 22. | Cops and Fireman
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| 23. | That a Boy!
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| 24. | I Want Her
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Jazz / Modern Creative; Avant-Garde; Post-Bop; Original Score
Recorded at Mobius Music, San Francisco, California.
Bill Frisell - acoustic and electric guitar
Kermit Driscoll - acoustic and electric basses
Joey Baron - drums and percussion
"The most inventive and compelling guitarist to emerge in more than a decade" (Oakland Tribune), composer/guitarist/bandleader Bill Frisell trains his unique compositional lens on the silent film works of 1920's comedic phenom Buster Keaton, forging "Music for the Films of Buster Keaton: Go West" and "The High Sign / One Week" - two remarkable new recordings representing the sixth and seventh additions to his Nonesuch catalogue.
Music for the Films of Buster Keaton provides a deeper look at Frisell's longstanding fascination with Americana (also explored in his Nonesuch releases This Land and Have a Little Faith). In a musical storytelling of the rises, falls and comedic/tragic mishaps of Buster Keaton's most memorable screen personae, the voice of Frisell's signature guitar presides conversing, pondering, scheming over vignettes of fluctuating rhythms, tempos and moods, weaving the particular atmosphere of placid tumult so intrinsic to Keaton's work and life. After a New York City performance accompanying the films last year, the New York Times said, "Mr. Frisell's scores perfectly balance the need to be abstract and the need to be literal... (He has) recurring motifs that suggest the new American possibility of the time, motifs redolent of the sort of optimism heard in some country music, blues and jazz."
Both "Go West" and "The High Sign/One Week" feature the Bill Frisell Band, a tightly knit trio in which longtime collaborators Kermit Driscoll (bass) and Joey Baron (drums) flank Frisell's inimitable fretwork, exhibiting a level of communication for which Frisell's ensembles are renowned. Together since 1986, the Bill Frisell Band has often conspired with such notable talents as clarinetist Don Byron, trombonist Curtis Fowlkes and accordionist Guy Klucevsek, among others. |
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