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| 4.153 Ft
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| 1. | A Riddle Song
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| 2. | Song of the Universal
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| 3. | Whoever You Are Holding Me Now In Hand
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| 4. | I Celebrate Myself
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| 5. | A Child Said, 'What Is The Grass?'
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| 6. | A Learner with the Simplest..
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| 7. | I Exist As I Am
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| 8. | I Am He That Walks..
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| 9. | Through Me Forbidden Voices
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| 10. | Now I Will Do Nothing But Listen..
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| 11. | I Believe A Leaf Of Grass
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| 12. | I Fly Those Flights
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| 13. | My Lovers Suffocate Me
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| 14. | Why Should I Wish TO See God
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| 15. | The Mystic Trumpeter
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| 16. | At The Close of The Day
instrumental
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| 17. | To You/Perfections
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| 18. | The Sleepers
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| 19. | Spirit That Form'd This Scene/On The Beach At Night Alone
Interlude
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| 20. | After The Dazzle of The Day
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Jazz
Kate McGarry, Kurt Elling (vocals); Erik Friedlander (cello); Bruce Williamson (clarinet, alto clarinet, bass saxophone); Tony Malaby (tenor saxophone); Ralph Alessi (trumpet, flugelhorn); Mike Christianson (trombone); Fred Hersch (piano); Drew Gress (bass instrument); John Hollenbeck (drums, percussion)
Down Beat (p.66) - 4 stars out of 5 - "While the cadence of Whitman's words often take the singer far from his swinging comfort zone, the direct nature of his delivery and innate theatricality allow him to embody the lyrics."
JazzTimes (pp.72-3) - "[T]he poems seem to grow from and reflect upon one another as the music gracefully shifts between awestruck pastorales, proud celebrations and magical nocturnes, with a few flickers of genre thrown in along the way."
Lyricist: Walt Whitman
Fred Hersch has consistently proven himself to be not only an adroit, imaginative pianist, but also a captivating interpretive talent. While many jazz musicians are content to rework the same standard tunes year after year, Hersch has applied himself to composers diverse as Rodgers & Hammerstein, Lennon & McCartney, and Bill Evans. With LEAVES OF GRASS, Hersch's compositional gifts take a front seat--he's recorded original material before, but never on the scale of LEAVES.
With LEAVES, Hersch sets the classic poetry of Walt Whitman to music, in a sprawling multi-part suite or (in classical-music terms) oratorio for a medium-sized group and two singers. Those expecting "swing" in Hersch's usual classy manner may be a bit disappointed--Hersch is rather subdued, with swing supplanted by pointed, quirky ensemble writing recalling two major American composers named Charles (Ives and Mingus). Kurt Elling's singing is front-and-center, alternately wailing and sailing like a jazz vocalist and thundering with the authority and depth of an opera singer. LEAVES OF GRASS is a commanding listen, but well worth it for those treasuring Whitman's poems and Hersch's inventive compositions. |
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