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Evolution II [Japan] [ ÉLŐ ] |
John Lewis |
japán első megjelenés éve: 2000 52 perc |
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(2014)
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 CD |
5.529 Ft
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1. | The Festivals
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2. | One of Parker's Moods
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3. | December, Remember
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4. | That! Afternoon in Paris
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5. | Cain and Abel
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6. | Come Rain or Come Shine
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7. | Trieste
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8. | Django
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9. | Sammy
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10. | What Is This Thing Called Love?
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Jazz / Bop; Cool; Third Stream
Recorded: May 3, 2000
On May 3, 2000, John Lewis turned 80 -- and almost half a century after the formation of the Modern Jazz Quartet, he could still inspire a variety of reactions. Over the years, Lewis' detractors have insisted that his piano playing is too polite and overly mannered; his admirers, however, have exalted him as the epitome of class and sophistication. To be sure, Lewis' pianism is quite sophisticated, but that doesn't mean that he doesn't swing or that he isn't soulful. Recorded in 2000 and released in early 2001, Evolution II isn't going to convert anyone who isn't already an admirer of the pianist's cool jazz/third stream approach. Anyone who has claimed that Lewis' playing is too polite won't have a change of heart after hearing this CD, but for Lewis' admirers, the rewards are great. Evolution II is the second installment of his Evolution trilogy; while the first Evolution was an unaccompanied solo piano recording, Evolution II finds him leading quartets that include Howard Alden or Howard Collins on guitar, George Mraz or Marc Johnson on upright bass, and Lewis Nash on drums. Except for the standards "Come Rain or Come Shine" and "What Is This Thing Called Love?," all of the songs are Lewis originals (including new compositions as well as familiar pieces like "Django" and "Trieste"). True to form, Lewis is elegant and swinging at the same time -- contrary to what his detractors have claimed, Lewis swings, but he does so on his own terms. For Lewis, there is no reason why jazz cannot be classical-influenced yet maintain the feelings of the blues. Although Evolution II falls short of essential, it is an enjoyable addition to the veteran pianist's catalog and demonstrates that his chops have held up well over the years. ---Alex Henderson, AMG
John Lewis
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s Born: May 03, 1920 in La Grange, IL Died: Mar 29, 2001 Genre: Jazz Styles: Chamber Jazz, Bop, Cool, Ballads, Third Stream, Mainstream Jazz, Orchestral Jazz
The musical director of the Modern Jazz Quartet for its entire history, John Lewis found the perfect outlet for his interest in bop, blues and Bach. Possessor of a "cool" piano style that (like Count Basie's) makes every note count, Lewis with the MJQ has long helpled make jazz look respectable to the classical music community without watering down his performances. After serving in the military, Lewis was in the Dizzy Gillespie big band (1946-48). He recorded with Charlie Parker during 1947-48 (including "Parker's Mood") and played with Miles Davis's Birth of the Cool Nonet, arranging "Move" and "Rouge." He worked with Illinois Jacquet (1948-49) and Lester Young (1950-51) and appeared on many recordings during the era. In 1951 Lewis recorded with the Milt Jackson Quartet which by 1952 became the Modern Jazz Quartet. Lewis's musical vision was fulfilled with the MJQ and he composed many pieces with "Django" being the best-known. In addition to constantly touring with the MJQ during 1952-74, Lewis wrote the film scores to Odds Against Tomorrow, No Sun in Venice and A Milanese Story, recorded as a leader (including the 1956 cool classic "Two Degrees East, Three Degrees West," collaborations with Gunther Schuller and records with Svend Asmussen and Albert Mangelsdorff) and worked with Orchestra U.S.A. in the mid-'60s. When the MJQ broke up in 1974, Lewis worked as an educator and occasionally recorded as a leader. With the MJQ's rebirth in 1981, he has resumed his former role as its guiding spirit. Most of John Lewis's own projects were recorded for Atlantic. ---Scott Yanow, All Music Guide |
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