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Kérjen
árajánlatot! |
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| 1. | Trust In Me
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| 2. | I'll Take Romance
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| 3. | Body And Soul
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| 4. | The Best Thing For You
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| 5. | I Remember Clifford
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| 6. | On The Sunny Side Of The Street
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| 7. | Lullaby Of Birdland
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| 8. | The Second Time Around
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| 9. | Falling In Love With Love
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| 10. | That's For Me
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| 11. | I Won't Dance
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| 12. | Some Other Time
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| 13. | The Touch Of Your Lips
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| 14. | The Things We Did Last Summer
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Jazz
In pairing together George Shearing and Ernestine Anderson, the planning and success of the venture were foreordained, since both have long been mutual admirers.
"I've always loved George's work," said Ernestine. "In fact, many years ago, George came to Seattle for a concert and I did a spot with him. [In 1987], as you know, we were together at the Fujitsu-Concord Festival in Japan."
During one of Ernestine's appearances in New York, when George came to catch her show, he expressed the desire to make an album with her. "I was ecstatic," she recalled, "and the recording went very smoothly. We decided to concentrate on standard tunes, mostly things I've known and liked for a long time."
The sense of unity denoted by the title of this set was in one sense logical, in another improbable. Here are two artists with disparate backgrounds, a singer from Houston and a pianist from London, both major recording name since the 1950s, in their first full-fledged collaboration.
Miles Davis once said that he's love to have a little boy "who play piano like Ahmad Jamal." If Miles had a daughter, she'd sing like Ernestine Anderson. Like Miles, Ernestine heads straight for the music's core of harmony and melody, making Tin Pan Alley an extension of the blues and vice versa and reshuffles the tune into a series of phrases--some smooth, some jagged, some staccato, others legato, all swinging. She seductively lags behind the beat on a ballad and races in front of it on an up-tempo and isn't afraid to tap into her reserve of gospel melisma when the spirit moves her. Anderson mines a genuine vein of emotion that shows no sign of running out.
-- Will Friedwald, 7 Days New York, May 1989 |
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