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| 3.726 Ft
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| 1. | Swanee River
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| 2. | The Lonesome Road
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| 3. | Georgia on My Mind
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| 4. | Camptown Races [Version 1] [Version]
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| 5. | Camptown Races [Version 2] [Version]
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| 6. | Short'nin Bread
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| 7. | Basin Street Blues
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| 8. | Ol' Man River
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| 9. | Gone with the Wind
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| 10. | Nomad
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| 11. | Brandenburg Gate
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| 12. | The Golden Horn
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| 13. | Thank You [Dziekuje]
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| 14. | Marble Arch
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| 15. | Calcutta Blues
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Jazz / West Coast Jazz
Dave Brubeck Piano, Original Liner Notes
Don DeMichael Liner Notes, Quotation Author
Eugene Wright Bass
Joe Morello Drums
Mercedes Cuetos Design
Paul Desmond Sax (Alto)
Teo Macero Original Liner Notes
Digitally remastered two-fer from the Jazz great containing a pair of original albums on one CD. Features the original classic album Gone With The Wind, which received a five-star rating in Down Beat Magazine, included here in its entirety. This LP immediately precedes Time Out in the Brubeck Quartet's discography. As a bonus, we have added the complete album Jazz Impressions of Eurasia, recorded the previous year.
This two-fer edition places the Dave Brubeck Quartet's classic 1959 Gone with the Wind album -- the date that immediately preceded Time Out -- with Jazz Impressions of Eurasia, a disc that documented an 80-city world tour released a year earlier. While listed in chronological order on the cover, these albums are actually presented in reverse sequence by AIS/Poll Winners in Europe. It should also be noted that this edition does not contain any of the bonus tracks that appeared on the remastered versions Sony Legacy reissued in the United States, though the sound quality is in 24-bit. In any case, these two recordings offer a very solid portrait of Brubeck’s band, with bassist Gene Wright, drummer Joe Morello, and alto saxophonist Paul Desmond firing on all creative and technical cylinders. ~ Thom Jurek, All Music Guide
Dave Brubeck
Active Decades: '30s, '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 06, 1920 in Concord, CA
Genre: Jazz
Styles: Cool, West Coast Jazz, Jazz Instrument, Piano Jazz
Dave Brubeck has long served as proof that creative jazz and popular success can go together. Although critics who had championed him when he was unknown seemed to scorn him when the Dave Brubeck Quartet became a surprise success, in reality Brubeck never watered down or altered his music in order to gain a wide audience. Creative booking (being one of the first groups to play regularly on college campuses) and a bit of luck resulted in great popularity, and Dave Brubeck remains one of the few household names in jazz.
From nearly the start, Brubeck enjoyed utilizing poly-rhythms and poly-tonality (playing in two keys at once). He had classical training from his mother, but fooled her for a long period by memorizing his lessons and not learning to read music. He studied music at the College of the Pacific during 1938-1942. Brubeck led a service band in General Patton's Army during World War II and then, in 1946, he started studying at Mills College with the classical composer Darius Milhaud, who encouraged his students to play jazz. During 1946-1949, Brubeck led a group mostly consisting of fellow classmates, and they recorded as the Dave Brubeck Octet; their music (released on Fantasy in 1951) still sounds advanced today, with complex time signatures and some poly-tonality. The octet was too radical to get much work, so Brubeck formed a trio with drummer Cal Tjader (who doubled on vibes) and bassist Ron Crotty. The trio's Fantasy recordings of 1949-1951 were quite popular in the Bay Area, but the group came to an end when Brubeck hurt his back during a serious swimming accident and was put out of action for months.
Upon his return in 1951, Brubeck was persuaded by altoist Paul Desmond to make the group a quartet. Within two years, the band had become surprisingly popular. Desmond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing; both Brubeck and Desmond had original sounds and styles that owed little to their predecessors. Joe Dodge was the band's early drummer but, after he tired of the road, the virtuosic Joe Morello took his place in 1956; while the revolving bass chair finally settled on Eugene Wright in 1958. By then, Brubeck had followed his popular series of Fantasy recordings with some big sellers on Columbia, and had appeared on the cover of Time (1954). The huge success of Paul Desmond's "Take Five" (1960) was followed by many songs played in "odd" time signatures such as 7/4 and 9/8; the high-quality soloing of the musicians kept these experiments from sounding like gimmicks. Dave and Iola Brubeck (his wife and lyricist) put together an anti-racism show featuring Louis Armstrong (The Real Ambassadors) which was recorded, but its only public appearance was at the Monterey Jazz Festival in the early '60s.
The Dave Brubeck Quartet constantly traveled around the world until its breakup in 1967. After some time off, during which he wrote religious works, Brubeck came back the following year with a new quartet featuring Gerry Mulligan, although he would have several reunions with Desmond before the altoist's death in 1977. Brubeck joined with his sons Darius (keyboards), Chris (electric bass and bass trombone), and Danny (drums) in Two Generations of Brubeck in the 1970s. In the early '80s, tenor saxophonist Jerry Bergonzi was in the Brubeck Quartet, and beginning in the mid-'80s, clarinetist Bill Smith (who was in the original octet) alternated with altoist Bobby Militello.
There is no shortage of Dave Brubeck records currently available, practically everything he cut for Fantasy, Columbia, Concord, and Telarc are easy to locate. Brubeck, whose compositions "In Your Own Sweet Way," "The Duke," and "Blue Rondo a la Turk" have become standards, remained very busy (despite some bouts of bad health) into the 2000s.
---Scott Yanow, All Music Guide |
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