  |
|
|
 |
|
4 x CD |
| 6.501 Ft
|
|
| 1. CD tartalma: |
| 1. | How High the Moon
|
| 2. | Serenade's Suite
|
| 3. | Playland at the Beach
|
| 4. | Prisoner's Song
|
| 5. | Schizophrenic Scherzo
|
| 6. | Rondo
|
| 7. | I Hear a Rhapsody
|
| 8. | You Go to My Head
|
| 9. | Laura
|
| 10. | Blue Moon
|
| 11. | Tea for Two
|
| 12. | Indiana
|
| 13. | Laura
|
| 14. | You Stepped Out of a Dream
|
| 15. | Lullaby in Rhythm
|
| 16. | Singing in the Rain
|
| 17. | I'll Remember April
|
| 18. | Body and Soul
|
| 19. | Let's Fall in Love
|
| 20. | 'S Wonderful
|
| 21. | Sweet Georgia Brown
|
| 22. | Undecided
|
| 23. | September Song
|
| 24. | Spring Is Here
|
| 25. | That Old Black Magic
|
| 26. | Love Walked In
|
| 27. | Ipca
|
| 28. | What Is This Thing Called Love?
|
| |
| 2. CD tartalma: |
| 1. | The Way You Look Tonight
|
| 2. | September in the Rain
|
| 3. | Prelude
|
| 4. | Fugue on Bop Themes
|
| 5. | Let's Fall in Love
|
| 6. | I Didn't Know What Time It Was
|
| 7. | Squeeze Me
|
| 8. | Too Marvelous for Words
|
| 9. | How High the Moon
|
| 10. | Heart and Soul
|
| 11. | Always
|
| 12. | Avalon
|
| 13. | Perfidia
|
| 14. | Crazy Chris
|
| 15. | A Foggy Day
|
| 16. | Lyon's Busy
|
| 17. | Somebody Loves Me
|
| 18. | At a Perfume Counter
|
| 19. | Mam'selle
|
| 20. | Me and My Shadow
|
| 21. | Frenesi
|
| 22. | Look for the Silver Lining
|
| 23. | My Romance
|
| 24. | I May Be Wrong
|
| 25. | Just One of Those Things
|
| 26. | Lulu's Back in Town
|
| 27. | On a Little Street in Singapore
|
| |
| 3. CD tartalma: |
| 1. | All the Things You Are
|
| 2. | Alice in Wonderland
|
| 3. | Stardust
|
| 4. | Over the Rainbow [Live]
|
| 5. | You Go to My Head [Live]
|
| 6. | Give a Little Whistle [Live]
|
| 7. | Oh, Lady Be Good [Live]
|
| 8. | This Can't Be Love [Live]
|
| 9. | Tea for Two [Live]
|
| 10. | Blue Moon [Live]
|
| 11. | Let's Fall in Love [Live]
|
| 12. | These Foolish Things [Live]
|
| 13. | Perdido [Live]
|
| 14. | Stardust [Live]
|
| |
| 4. CD tartalma: |
| 1. | The Way You Look Tonight [Live]
|
| 2. | How High the Moon [Live]
|
| 3. | I Remember You [Live]
|
| 4. | Out of Nowhere [Live]
|
| 5. | Le Souk [Live]
|
| 6. | Balcony Rock [Live]
|
| 7. | Take the "A" Train [Live]
|
| 8. | The Song Is You [Live]
|
| 9. | Don't Worry 'Bout Me [Live]
|
| 10. | I Want to Be Happy [Live]
|
Jazz / Cool, West Coast Jazz
Disc 1: PLAYLAND-AT-THE-BEACH
Disc 2: LYON’S BUSY
Disc 3: THESE FOOLISH THINGS
Disc 4: BALCONY ROCK
Dave Brubeck - Piano, Arranger
Bill Airey Smith - Clarinet, Sax (Baritone), Arranger
Bob Bates - Bass
Bob Collins - Trombone
Bob Cummings - Sax (Alto)
Cal Tjader - Vibraphone, Bongos, Drums, Conga
Dave VanKriedt - Sax (Tenor), Arranger
Dick Collins - Trumpet
Fred Dutton - Bass
Herb Barman - Drums
Jimmy Lyons - Narrator
Joe Dodge - Drums
Joop Visser - Liner Notes, Producer, Compilation
Lloyd Davis - Drums
Paul Desmond - Sax (Alto)
Peter Rynston - Digital Remastering
Ron Crotty - Bass
Wyatt Ruther - Bass
Dave Brubeck has long served as proof that creative jazz and popular success can go together. Although critics who had championed him when he was unknown seemed to scorn him when the Dave Brubeck Quartet became a surprise success, in reality Brubeck never watered down or altered his music in order to gain a wide audience. Dave Brubeck remains one of the few household names in jazz. This 4CD set contains his work from the late '40s through to the mid '50s, and covers both extremes of his popularity - from his beginnings as an unknown musician through to his appearance on the front cover of Time magazine in 1954.
Dave Brubeck
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 06, 1920 in Concord, CA
Genre: Jazz
Styles: Cool, West Coast Jazz
Dave Brubeck has long served as proof that creative jazz and popular success can go together. Although critics who had championed him when he was unknown seemed to scorn him when the Dave Brubeck Quartet became a surprise success, in reality Brubeck never watered down or altered his music in order to gain a wide audience. Creative booking (being one of the first groups to play regularly on college campuses) and a bit of luck resulted in great popularity, and Dave Brubeck remains one of the few household names in jazz.
From nearly the start, Brubeck enjoyed utilizing poly-rhythms and poly-tonality (playing in two keys at once). He had classical training from his mother, but fooled her for a long period by memorizing his lessons and not learning to read music. He studied music at the College of the Pacific during 1938-1942. Brubeck led a service band in General Patton's Army during World War II and then, in 1946, he started studying at Mills College with the classical composer Darius Milhaud, who encouraged his students to play jazz. During 1946-1949, Brubeck led a group mostly consisting of fellow classmates, and they recorded as the Dave Brubeck Octet; their music (released on Fantasy in 1951) still sounds advanced today, with complex time signatures and some poly-tonality. The octet was too radical to get much work, so Brubeck formed a trio with drummer Cal Tjader (who doubled on vibes) and bassist Ron Crotty. The trio's Fantasy recordings of 1949-1951 were quite popular in the Bay Area, but the group came to an end when Brubeck hurt his back during a serious swimming accident and was put out of action for months.
Upon his return in 1951, Brubeck was persuaded by altoist Paul Desmond to make the group a quartet. Within two years, the band had become surprisingly popular. Desmond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing; both Brubeck and Desmond had original sounds and styles that owed little to their predecessors. Joe Dodge was the band's early drummer but, after he tired of the road, the virtuosic Joe Morello took his place in 1956; while the revolving bass chair finally settled on Eugene Wright in 1958. By then, Brubeck had followed his popular series of Fantasy recordings with some big sellers on Columbia, and had appeared on the cover of Time (1954). The huge success of Paul Desmond's "Take Five" (1960) was followed by many songs played in "odd" time signatures such as 7/4 and 9/8; the high-quality soloing of the musicians kept these experiments from sounding like gimmicks. Dave and Iola Brubeck (his wife and lyricist) put together an anti-racism show featuring Louis Armstrong (The Real Ambassadors) which was recorded, but its only public appearance was at the Monterey Jazz Festival in the early '60s.
The Dave Brubeck Quartet constantly traveled around the world until its breakup in 1967. After some time off, during which he wrote religious works, Brubeck came back the following year with a new quartet featuring Gerry Mulligan, although he would have several reunions with Desmond before the altoist's death in 1977. Brubeck joined with his sons Darius (keyboards), Chris (electric bass and bass trombone), and Danny (drums) in Two Generations of Brubeck in the 1970s. In the early '80s, tenor saxophonist Jerry Bergonzi was in the Brubeck Quartet, and beginning in the mid-'80s, clarinetist Bill Smith (who was in the original octet) alternated with altoist Bobby Militello.
There is no shortage of Dave Brubeck records currently available, practically everything he cut for Fantasy, Columbia, Concord, and Telarc are easy to locate. Brubeck, whose compositions "In Your Own Sweet Way," "The Duke," and "Blue Rondo a la Turk" have become standards, remained very busy (despite some bouts of bad health) into the 2000s.
--- Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
