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5.320 Ft
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1. | Malandro
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2. | The Boy With The Sad Eyes
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3. | To Wisdom the Prize
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4. | Naturally
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5. | The Scene
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6. | Come In Out Of The Rain
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Jazz / Soul-Jazz, Hard Bop
Nat Adderley Nat Adderley Quintet Walter Booker Bass Jimmy Cobb Drums Sonny Fortune Alto Saxophone Larry Willis Piano Orrin Keepnews Liner Notes Mark Needham Engineer, Mixing Al Pittman Producer Allen Pittman Producer, Reissue Producer, Assistant Producer Paul Arslanian Assistant Producer Dave Shirk Pre-mastering Engineer
San Francisco was home to this live date from the legendary Keystone Korner, featuring Nat Adderley on cornet. This is available on CD for the first time, with a special fourteen minute bonus track included. Adderley's crack-shot quintet is best heard live; that excitement is captured on this disc, which features Sonny Fortune on alto. Live 1983.
Nat Adderley
Active Decades: '50s, '60s, '70s, '80s and '90s Born: Nov 25, 1931 in Tampa, FL Died: Jan 02, 2000 in Lakeland, FL Genre: Jazz
Nat Adderley's cornet (which in its early days was strongly influenced by Miles Davis) was always a complementary voice to his brother Cannonball in their popular quintet. His career ran parallel to his older brother for quite some time. Nat took up trumpet in 1946, switched to cornet in 1950, and spent time in the military, playing in an Army band during 1951-1953. After a period with Lionel Hampton (1954-1955), Nat made his recording debut in 1955, joined Cannonball's unsuccessful quintet of 1956-1957, and then spent periods with the groups of J.J. Johnson and Woody Herman before hooking up with Cannonball again in October 1959. This time the group became a major success and Nat remained in the quintet until Cannonball's death in 1975, contributing such originals as "Work Song," "Jive Samba," and "The Old Country" along with many exciting hard bop solos. Nat Adderley, who was at the peak of his powers in the early to mid-'60s and became adept at playing solos that dipped into the subtone register of his horn, led his own quintets after Cannonball's death; his most notable sidemen were altoists Sonny Fortune (in the early '80s) and Vincent Herring. Although his own playing declined somewhat -- Adderley's chops no longer had the endurance of his earlier days -- Nat continued recording worthwhile sessions in the years prior to his death on January 2, 2000. Many but not all of his recordings through the years are currently available (for such labels as Savoy, EmArcy, Riverside, Jazzland, Atlantic, Milestone, A&M, Capitol, Prestige, SteepleChase, Galaxy, Theresa, In & Out, Landmark, Evidence, Enja, Timeless, Jazz Challenge, and Chiaroscuro). ---Scott Yanow, All Music Guide |
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