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CD |
| 4.953 Ft
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| 1. | All God's Chillun Got Rhythm
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| 2. | Sonny Side
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| 3. | Bud's Blues
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| 4. | Sunset
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| 5. | Fine And Dandy
Take 1
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| 6. | Fine And Dandy
Take 2
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| 7. | Strike Up The Band
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| 8. | I Want To Be Happy
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| 9. | Taking A Chance On Love
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| 10. | Afternoon In Paris
Take 1
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| 11. | Afternoon In Paris
Take 2
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| 12. | Elora
Take 1
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| 13. | Elora
Take 2
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| 14. | Teapot
Take 1
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| 15. | Teapot
Take 2
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| 16. | Blue Mode
Take 1
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| 17. | Blue Mode
Take 2
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Jazz
Sonny Stitt - Sax (Tenor)
Bud Powell - Piano
Curly Russell - Bass
J.J. Johnson - Trombone
John Lewis - Piano
Max Roach - Drums
Nelson Boyd - Bass
Through recordings on Savoy and, with Dizzy Gillespie, on Musicraft, Stitt built a reputation as the closest thing to Charlie Parker on alto. He was not seen in person during the years of bebop's ascendancy because he was hospitalized for drugs. His first recording after his return was the 1949 session with J.J. Johnson on which he played tenor rather than alto and established himself as a more distinct personality. The sessions with Bud Powell present some of the most highly charged, dually inspirational collaborations ever recorded.
This superb CD reissues the complete output of three classic bop sessions including five "new" alternate takes. Sonny Stitt (who plays tenor throughout) is heard in a quintet with trombonist J.J. Johnson, pianist John Lewis, bassist Nelson Boyd and drummer Max Roach (playing three Johnson compositions and the original version of John Lewis's "Afternoon in Paris") and in a quartet with the great pianist Bud Powell, bassist Curly Russell and Max Roach. The latter two sessions are highlighted by rapid versions of "All God's Chillun Got Rhythm," "Strike up the Band" and "Fine and Dandy." Highly recommended music.
---Scott Yanow, All Music Guide |
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