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Sings Broadway: Great Songs from Hit Shows [ ÉLŐ ] |
Sarah Vaughan |
első megjelenés éve: 1956 |
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(2007)
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2 x CD |
Kérjen árajánlatot! |
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1. CD tartalma: |
1. | A Tree In The Park
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2. | Little Girl Blue
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3. | Comes Love
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4. | But Not For Me
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5. | My Darling, My Darling
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6. | Lucky In Love
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7. | Autumn In New York
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8. | It Never Entered My Mind
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9. | If This Isn't Love
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10. | The Touch Of Your Hand
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11. | Homework
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12. | Bewitched
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13. | Dancing In The Dark
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14. | September Song
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15. | A Ship Without A Sail
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16. | Lost In The Stars
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17. | It's Got To Be Love
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18. | All The Things You Are
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2. CD tartalma: |
1. | Poor Butterfly
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2. | Let's Take An Old-Fashioned Walk
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3. | My Heart Stood Still
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4. | He's Only Wonderful
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5. | They Say It's Wonderful
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6. | My Ship
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7. | You're My Everything
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8. | Can't We Be Friends?
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9. | Love Is A Random Thing
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10. | If I Loved You
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11. | It's De-Lovely
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12. | It's Love
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13. | And This Is My Beloved
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14. | Mr. Wonderful
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15. | Don't Look At Me That Way
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16. | I Loved Him (But He Didn't Love Me)
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Jazz
Sarah Vaughan Hal Mooney Arranger, Conductor James Decker French Horn Milt Bernhart Trombone Joe Howard Trombone Ronnie Lang Alto Saxophone Ted Nash Tenor Saxophone Champ Webb Woodwinds Israel Baker Violin Benny Gill Violin Paul Robyn Viola Edgar Lustgarden Cello Katherine Julyie Harp George Greeley Piano Barney Kessel Guitar Larry Breen Bass Louis Singer Drums Bob Shad Producer
These performances-- all but four done in five days, October 29-November 2, 1956 under the leadership of Hal Mooney-- are a near-ideal testing ground for any notions of who Vaughan was and what she was about. And whatever one thinks of the arrangements, for the most part, they are exquisitely played-- which is no mystery given that the string ensemble included on at least a dozed tracks is the members of the Hollywood String Quartet, one of the greatest American string quartets.
There are four performances here that are jazz-vocal masterpieces-- Little Girl Blue, Bewitched, Dancing in the Dark, and It Never Entered My Mind, where the ascending stepwise phrase that goes with the words "and now I even have to scratch my back myself" is transformed by Vaughan into the musical equivalent of an Art Nouveau staircase. Every one of these performances is a ballad taken at a slowish tempo with touches of rubato or out-of-tempo phrasing from both Vaughan and the orchestra-- yet each is marked by a sense of swing on Vaughan's part that is quite overwhelming. Indeed, she swings harder and more freely here than she does on all but one of the medium- to up-tempo tracks, where she is accompanied by brass and reeds or brass and reeds plus strings big bands. session
Original recordings produced by Bob Shad. Reissue supervised by Michael Lang. |
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