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2 x CD |
| 9.273 Ft
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| 1. CD tartalma: |
| 1. | Two Folk Songs
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| 2. | 80/81
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| 3. | The Bat
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| 4. | Turnaround
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| 2. CD tartalma: |
| 1. | Open
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| 2. | Pretty Scattered
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| 3. | Every Day
I Thank You
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| 4. | Goin' Ahead
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Jazz / Fusion; Post-Bop; Folk-Jazz
Recorded: May 26-29, 1980
Pat Metheny - guitar
Charlie Haden - bass
Jack DeJohnette - drums
Dewey Redman - tenor saxophone
Michael Brecker - tenor saxophone
Disc 1: 41:35 min.
Disc 2: 38:50 min.
Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-CD collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes. From the disbanded Keith Jarrett American quartet came bassist Charlie Haden and tenor Dewey Redman -- who alternates with and occasionally plays alongside tenor Michael Brecker -- and Jack DeJohnette provides more combustible drumming than Metheny had ever experienced on record before. Yet Metheny's off-kilter wandering on solo electric guitar is a comfortable fit for the post-bop rhythmic crosscurrents of this music. Indeed, Haden and Metheny are in total sympathy, perhaps celebrating their mutual Missouri roots, and Metheny's difficult "Pretty Scattered" -- which he mockingly described as "Guitar Revenge!" -- nearly manages to stump even Redman and Brecker. The first of the "Two Folk Songs" is a great example of the Metheny folk-jazz fusion, with furious strummed guitar underpinning Brecker's melodic line and excursions on the outside and DeJohnette's spectacular drums. Another remarkable track is "Open," a group improvisation that finds DeJohnette shaping the track's direction with a pushing solo and Metheny and the saxes emerging at the end. The two original LPs were organized so that the more distinctive Metheny fusions were on sides one and four and the overt jazz tracks occupied sides two and three.
---Richard S. Ginell, AMG
Pat Metheny
Active Decades: '70s, '80s, '90s and '00s
Born: Aug 12, 1954 in Lee's Summit, MO
Genre: Jazz
Styles: Fusion, Post-Bop, Contemporary Jazz, Folk-Jazz, Progressive Jazz
One of the most original guitarists from the '80s onward (he is instantly recognizable), Pat Metheny is a chance-taking player who has gained great popularity but also taken some wild left turns. His records with the Pat Metheny Group are difficult to describe (folk-jazz? mood music?) but managed to be both accessible and original, stretching the boundaries of jazz and making Metheny famous enough so he could perform whatever type of music he wants without losing his audience. Metheny (whose older brother is the trumpeter Mike Metheny) started on guitar when he was 13. He developed quickly, taught at both the University of Miami and Berklee while he was a teenager, and made his recording debut with Paul Bley and Jaco Pastorius in 1974. He spent an important period (1974-1977) with Gary Burton's group, met keyboardist Lyle Mays, and in 1978 formed his group, which originally featured Mays, bassist Mark Egan, and drummer Dan Gottlieb. Within a short period he was ECM's top artist and one of the most popular of all jazzmen, selling out stadiums. Metheny mostly avoided playing predictable music, and his freelance projects were always quite interesting. His 1980 album 80/81 featured Dewey Redman and Mike Brecker in a post-bop quintet; he teamed up with Charlie Haden and Billy Higgins on a trio date in 1983; and two years later recorded the very outside Song X with Ornette Coleman. Among Metheny's other projects away from the group were a sideman recording with Sonny Rollins; a 1990 tour with Herbie Hancock in a quartet; a trio album with Dave Holland and Roy Haynes; and a collaboration (and tour) with Joshua Redman. Although his Zero Tolerance for Silence in 1994 was largely a waste (40 minutes of feedback), Metheny retained his popularity and remained a consistently creative performer. He has recorded as a leader for ECM (starting in 1975), Geffen, Warner Brothers, and Nonesuch. Metheny remained active in the 21st century, releasing Speaking of Now in 2002, the solo One Quiet Night in 2003, Way Up in 2005, and Metheny Mehldau in 2006. Metheny and pianist Brad Mehldau returned to the studio the following year for Quartet. Metheny released the trio album Day Trip in 2008.
---Scott Yanow, All Music Guide |
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