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| At the Jazz Band Ball 2 |
| Bix Beiderbecke |
első megjelenés éve: 2008
70 perc |
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| (2008)
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CD |
| 3.081 Ft
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| 1. | Three Blind Mice, No. 1
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| 2. | Three Blind Mice, No. 2
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| 3. | Clorinda, Pt. 1
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| 4. | Clorinda, Pt. 2
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| 5. | I'm More Than Satisfied, No. 1
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| 6. | I'm More Than Satisfied, No. 2
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| 7. | At the Jazz Band Ball
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| 8. | Royal Garden Blues
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| 9. | Jazz Me Blues
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| 10. | Goose Pimples
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| 11. | Sorry
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| 12. | Cryin' All Day
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| 13. | A Good Man Is Hard to Find
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| 14. | Since My Best Gal Turned Me Down
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| 15. | Sugar
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| 16. | There'll Come a Time
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| 17. | Jubilee
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| 18. | Mississippi Mud
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| 19. | Oh, Gee! Oh, Joy!
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| 20. | Why Do I Love You?
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| 21. | Ol' Man River
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| 22. | Our Bungalow of Dreams
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| 23. | Lila
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Jazz
Bix Beiderbecke - Cornet
Adrian Rollini - Sax (Baritone), Saxophone
Bill Rank - Trombone
Bobby Davis - Reeds
Carl Kress - Banjo
Charles Strickfaden - Sax (Alto)
Charlie Margulis - Trumpet
Chauncey Morehouse - Drums, Flute, Percussion
Don Murray - Clarinet, Reeds, Sax (Tenor)
Eddie Lang - Guitar
Frank Signorelli - Piano
Frankie Trumbauer - Sax (C-Melody)
Howdy Quicksell - Banjo
Irving Kaufman - Vocals
Joe Venuti - Violin
John Ryan - Vocals
Matty Malneck - Violin
Min Leibrook - Sax (Baritone)
Noel Taylor - Vocals
Pee Wee Russell - Clarinet
Tommy Satterfield - Piano
Includes all the known takes from the Chicago Looper's session, originally released on the Pathe label. Also featured are the first sides Beiderbecke recorded with musicians from Paul Whiteman's Orchestra, plus a previously unknown session lead by Lou Raderman. Whitney Balliet, one of jazz's most poetic and respected writers, has notably remarked on trumpeter Bix Beiderbecke's distinctive three-dimensional sound, achieved despite the limitations of recordings from the 1920s. Indeed, a certain amount of dedication on behalf of a 21st-century listener is handy when dealing with the sound quality of transferred 78s. But, in the case of Beiderbecke, the payoff from close listening is well rewarded. He was a legend in his own time, and, by the end of his short career, Beiderbecke had worked his way up to the highest-paying band in the land--Paul Whiteman's Orchestra. Flashes of Beiderbecke's melodic brilliance and inventiveness abound on AT THE JAZZ BAND BALL, both on dates led by himself and others. On "Jazz Me Blues," one can hear a solo that, for a long time, was considered the only way to play the tune. "Cryin' All Day" features Bix matched with his saxophone-pioneer partner Frank Trumbauer. Willard Robinson's charming, Gershwin-esque "Jubilee," while not offering any Bix soloing, is a wonderfully succinct, early-jazz tone poem. And though the hijinks on "Mississippi Mud" are not politically correct by later standards, the song does present a very young Bing Crosby in a cameo appearance.
* Michael Brooks - Liner Notes
* Tommy Rockwell - Producer
This second installment into Bix's recorded career focuses on the sides he made while working as a member of Paul Whiteman's band. Cutting dates with old friends and bandmates like Frank Trumbauer, Adrian Rollini, Pee Wee Russell, Bill Rank, Eddie Lang, and drummer Chauncey Morehouse, these sides chronicle Bix's activities in the studios away from the "king of jazz" between 1927 and 1928. But don't consider all these sides as some sort of hot jazz oasis away from the more stilted arrangements of the Whiteman band; there's more than enough corn aboard on sides like "Mississippi Mud," two takes of "Clorinda," "Our Bungalow of Dreams," and "There'll Come a Time," several of these tracks clumsily adorned with annoying glee-club vocals. But sides like the two takes of "Three Blind Mice," "Sorry," "Jazz Me Blues," "Royal Garden Blues," and "Since My Best Gal Turned Me Down" show Bix still was full of creative ideas galore and a tone to die for. While conventional wisdom has this period as the start of Bix's musical decline, these sides show that there was much great music left in him.
---Cub Koda, All Music Guide |
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