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| Jazz Showcase |
| Bill Evans |
első megjelenés éve: 1962
70 perc |
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| (1998)
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CD |
Kérjen
árajánlatot! |
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| 1. | On Green Dolphin Street
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| 2. | Waltz for Debby [Take 2]
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| 3. | Elsa
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| 4. | Peace Piece
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| 5. | Re: Person I Knew
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| 6. | Know What I Mean?
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| 7. | In Your Own Sweet Way [Take 1]
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| 8. | Autumn Leaves
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| 9. | Interplay
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| 10. | Gloria's Step
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| 11. | Conception
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Jazz / Modal Music; Mainstream Jazz; Cool
Recorded: Sep 27, 1956-Jul 16, 1962
Bill Evans - Piano
Cannonball Adderley
Chuck Israels
Connie Kay - Drums
Freddie Hubbard - Trumpet
Jim Hall - Guitar
Paul Chambers - Bass
Paul Motian - Drums
Percy Heath - Bass
Philly Joe Jones - Drums
Scott LaFaro - Bass
Teddy Kotick - Bass
This collection may not be the "essential" Bill Evans; such a distillation is as elusive for the restlessly creative and profoundly influential pianist as it would be for Thelonious Monk, Miles Davis, or John Coltrane. But you can be sure a great deal of deliberation went into the selection of tunes and performances that would represent certain essential elements of his repertoire, various collaborations, and evolving artistic approach.
---from the liner notes by Derk Richardson
* Deb Sibony - Design
* Don Schlitten - Photography
* Jamie Putnam - Art Direction
* Kirk Felton - Remastering
* Orrin Keepnews - Producer
Of the initial offerings in Fantasy's Jazz Showcase series, the Bill Evans volume is probably the most valuable to the newcomer, for a number of reasons. For one, it is a good single-disc summary of The Complete Riverside Recordings box, touching down on many of his best performances as well as some of his most famous recordings, such as "Waltz for Debby," and a swinging "In Your Own Sweet Way," and the lovely unaccompanied homage to Erik Satie, "Peace Piece." It was in this period where the Evans idiom, trio format and harmonic stamp were cast pretty much intact for the rest of his life, and this consistency not only makes the Riverside years easy to anthologize concisely, it gives the listener a more rounded idea of what Evans was about than do, say, the Miles Davis or John Coltrane volumes. Besides the inevitable abundance of trio material -- including four tracks from the esteemed Scott LaFaroPaul Motian edition -- we also hear from the quintet with Freddie Hubbard and Jim Hall on "Interplay" and a Cannonball Adderley-led quartet on "Know What I Mean?" (oddly enough, Adderley's name is inadvertently left off the personnel lineup).
---Richard S. Ginell, All Music Guide |
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