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Jazz
Recorded: The Back Yard, Los Angeles, California; Westlake Audio, Hollywood, California; Schnee Studios, North Hollywood, CA; Electric Lady, New York, New York; Sear Sound Studio, New York, New York.
Boney James (soprano saxophone, tenor saxophone, keyboards, programming)
Dwele, Bilal, Debi Nova (vocals); Paul Jackson Jr., Tony Maiden (guitar); Joe Sample (piano); Billy Preston (organ); Pino Palladino (bass instrument); ?uestlove (drums); Luis Conte (percussion)
Nine albums into his career, Boney James makes a grab for the smooth-jazz crown with PURE, an outing that finds him working with a mix of soul and jazz luminaries. James ups the stakes by taking over the production reins (in addition to co-writing every song). Still front and center with his beloved tenor saxophone, this Grammy-nominated artist shifts to soprano sax for the harmony-soaked Bilal duet "Better with Time" and the silk sheets-and-champagne slow jam "Break of Dawn," featuring up-and-coming Detroit crooner Dwele. Debi Nova adds her lovely vocals to the beat-driven "Appreciate," a cut that wouldn't sound out of place on a Toni Braxton or Brandy album. Instrumentals are still the focus, however, as revealed on the light funk of "Here She Comes" and the snappy "Stone Groove" (featuring Crusaders keyboardist Joe Sample). Most impressive of all, the languid closing number, "You Don't Have to Go Home," showcases the interplay of Billy Preston's Hammond B-3 lines and Bobby Lyle's subtle piano runs.
Boney James
Active Decades: '90s and '00s
Genre: Jazz
Styles: Instrumental Pop, Contemporary Jazz, Crossover Jazz, Smooth Jazz
A solid saxophonist whose style falls on the R&B-ish and pop side of jazz, Boney James (who is heavily influenced by Grover Washington, Jr.) is a consistent best-seller who can always be relied upon to put on a colorful live show. Born James Oppenheim, he grew up in New Rochelle, NY. The future Boney James studied clarinet when he was eight, switching to saxophone two years later. When he was 15, his family moved to Los Angeles. James was soon playing in a fusion band (Line One) which was strong enough to open for Flora Purim and the Yellowjackets. After a year attending U.C. Berkeley, he transferred to U.C.L.A. so he could continue playing with the band. He earned a degree in history but became a full-time musician after graduation, doubling on keyboards. James went on the road as a keyboardist with Morris Day in 1985 and eventually convinced Day that he should be playing saxophone instead. He spent four years with Day and became in-demand for guest spots on tenor, alto, soprano, and flute, playing with Randy Crawford, Sheena Easton, the Isley Brothers, Bobby Caldwell, and others. He picked up his nickname while on tour with Crawford. After mentioning to a keyboardist that he was running out of food money, the musician replied that if he ate any less, he would have to be called Boney James. The popular saxophonist made his debut as a leader with Trust in 1992 (Spindletop) and then in 1994 was signed by Warner Bros., where he recorded dates including Backbone, Seduction, Boney's Funky Christmas, Sweet Thing, Shake It Up, Ride and Pure. In 2006, Boney made the move to Concord Records and released Shine.
---Scott Yanow, All Music Guide |
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