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| 6.321 Ft
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| 1. | The Christmas Song
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| 2. | Ave Maria
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| 3. | Winter Wonderland
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| 4. | The First Noel
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| 5. | Let It Snow! Let It Snow! Let It Snow!
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| 6. | Hallelujah
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| 7. | I Really Don't Want Much for Christmas
feat. Eric Benet |
| 8. | Have Yourself a Merry Little Christmas
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| 9. | Santa Clause Is Coming to Town
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| 10. | Silent Night
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| 11. | Little Drummer Boy
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| 12. | O Little Town of Bethlehem
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| 13. | I'll Be Home for Christmas
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Jazz / Holiday; Christmas; Smooth Jazz; Instrumental Pop; Crossover Jazz; Contemporary Jazz
Recorded: Renegade Studios, Lake Bluff, Illinois; Capitol, Treehouse Studios, Los Angeles, California
Chris Botti - vocals, trumpet
Bob Shepppard - tenor saxophone, alto flute
Brandon Fields - tenor saxophone
John J. Wittenberg - violin
Joel G. Derouin - violin
Susan Chatman - violin
Andrew Picken - viola
Mary Anne Steinberger - cello
Billy Childs - piano, Fender Rhodes piano
CJ Vanston - piano, organ, synthesizer
Anthony Wilson - guitar
Shane Fontayne - guitar
Heitor Pereira - guitar
David Carpenter - bass
Jon Ossman - bass
Jimmy Haslip - bass
Peter Erskine - drums, percussion
Vinnie Colaiuta - drums
The story about there being more suicides around the holidays turns out to be a myth, but like all urban legends, it caught on among the populace (or at least among lazy journalists) because it sounds like it should be true; as trumpeter Chris Botti writes in a sleeve note to his seasonal collection, December, "At no other time of the year is there a wider array of emotions than the month of December." This is a clue that Botti, in acceding to his record company's request that he undertake a Christmas album, was not interested in simply celebrating the season in his interpretations of holiday standards. There have been other such contemplative Christmas records: George Winston's album, also called December, is calm rather than celebratory, and Barbra Streisand's Christmas Memories, released in the wake of the September 11 terrorist attacks in 2001, is another collection that takes in the season's complexities. Add Botti's album to that list. The approach, of course, fits in with the trumpeter's overall musical style. Often heard through a mute, his playing usually has an intimate, low-key character, and that is true here, too. Critics have compared him to Miles Davis, and to that one easily may add Chet Baker, especially because like Baker, Botti has chosen to sing here, applying an adequate tenor to Richard Marx's "Perfect Day" and "Have Yourself a Merry Little Christmas" (the latter one of the more troubled of lyrics to become a Christmas standard). It isn't all doom and gloom, of course; there's a playful reading of "Winter Wonderland," for instance. But this is still an album to be put on in the shank of the evening when the Christmas festivities have subsided, not at the height of the celebrations.
---William Ruhlmann, allmusic |
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