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| 2.523 Ft
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| 1. | What Does It Take (To Win Your Love)
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| 2. | The Look of Love
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| 3. | Déjá Vu
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| 4. | Mister Magic
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| 5. | Lovely Day
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| 6. | Crazy Love
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| 7. | Sunny
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| 8. | For the Love of You
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| 9. | Hit the Road Jack
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| 10. | You Are Everything
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| 11. | One on One
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Jazz / Smooth Jazz; Crossover Jazz
Recorded: Funky Joint, Sherman Oaks, California
Peter White - guitar, keyboards
Jeffrey Osborne - vocals
Jonathan Butler - vocals
Richard Elliot - saxophone
Boney James - saxophone
Rick Braun - trumpet
Bob James - Fender Rhodes piano
For his tenth full-length album, Playin' Favourites, British smooth jazz giant Peter White decided to, as the title suggests, turn to some of his favorite tracks from the '60s, '70s, and '80s, giving each of them his own interpretation (he did a similar thing in 1994's Reflections). Working with longtime producer Paul Brown, as well as musicians Boney James, Rick Braun, and Dave Camp, among others, White successfully turns the 11 songs on Playin' Favourites into instant crossover jazz hits. Mainly this means adding horns and keyboards to the background while the guitarist lithely moves around from the melody into lush improvisationally based solos, rendering them much slicker and smoother than they were before (although granted, he didn't have to do much to turn Bacharach's James Bond classic "The Look of Love" into something so adult contemporary). For many of the songs White chooses, the arrangements, albeit a bit sugary, transfer well, and create very soothing, clean pieces of music that could be used in any setting where being inoffensively unmemorable is a priority. But for his version of "Hit the Road Jack," though he uses just his guitar, an upright bass, some finger-snapping, and a male vocal quartet in an attempt to sound bluesy, he still loses a lot of the urgency and instinct that made Ray Charles' rendition so affecting and great. By moving from the soul and emotion of the late pianist and singer towards something more universally "palatable," White ends up not properly respecting the contributions and innovations Ray Charles brought to music, which is unfortunate, because honoring his idols was most assuredly his purpose in making this album. The record's not a failure by any stretch: there's still plenty of smooth jazz to carry the audience through the quiet hours of the day, but because Playin' Favourites is a cover album, and it doesn't do all of the songs included on it quite enough justice, it ends up falling a little short.
---Marisa Brown, AMG
Peter White
Active Decades: '90s and '00s
Born: Sep 20, 1954 in Luton, North London, England
Genre: Jazz
Styles: Fusion, Crossover Jazz, Smooth Jazz
Smooth jazz guitarist Peter White's lyrical lines and musical inventiveness are a joy to listen to. The affable Englishman's charm and playfulness comes through in his music, giving his style of smooth jazz a liveliness that others in the genre lack.
Born September 20, 1954, to an English father and a French mother in Luton, a town north of London, England, White and his family moved soon after his birth to nearby Letchworth. His brother Danny was born a few years later. As a child, White loved sports, hiking, and tree climbing, but music was most special to him. His father encouraged him to learn many musical instruments -- recorder, clarinet, cornet, trombone, violin, harmonica, piano -- but the one instrument his dad couldn't help him with was the guitar; White was on his own. He learned to play simple chords by experimenting and listening with one ear glued to the radio. Like a lot of musicians, White was heavily influenced by the Beatles and the guitar-driven sound of the beat groups of the '60s. Around age 12, White would go over to schoolmate David Visick's house and listen to his large record collection. His favorites were Jethro Tull, Led Zeppelin, Fleetwood Mac, Cream, and Jimi Hendrix. He bought his very first LP from Visick, the Beatles' Sgt. Pepper's Lonely Hearts Club Band.
In his early teens, he acquired his first electric guitar and amplifier, which survived just long enough to be burned in a fire. Forced to go acoustic, White developed a love of acoustic music. After leaving school at 18, White worked for a few months in a soup-canning factory before getting his first musical break, a summer engagement at a South of England holiday resort. When summer ended, he went back to Letchworth, having whet his appetite for more musical adventures. Traveling to London, the guitarist ended up joining a group that was managed by Miles Copeland (Sting, R.E.M., IRS Records). Copeland also managed Al Stewart, so when Stewart's backup band disbanded, White got an audition call to back Stewart on keyboards. Brushing up on his finger dexterity, White learned a few of Stewart's songs, and soon the 20-year-old musician was touring England and the U.S. In the summer of 1975, Stewart asked White to play keyboards and acoustic guitar on his Year of the Cat album (Arista, 1976). Their collaboration lasted almost 20 years, with White co-writing "Time Passages" (number seven pop, number one adult contemporary, fall 1978) and co-producing Famous Last Words (MesaRhino, 1993).
Around 1979, White moved to Los Angeles, where Stewart had relocated, formed a band called Shot in the Dark with other musicians who had played with Stewart, and established a music publishing company called Lobster Music. Meanwhile his brother Danny formed the group Matt Bianco, which included a tantalizing singer named Basia Trzetrzelewska. Danny White and Basia left the group to launch the singer's solo career. Basia's 1987 Epic debut album, Time and Tide, went platinum, bolstered by the hit singles "New Day for You" and "Time and Tide." Her second LP, London Warsaw New York (Epic, 1990), mimicked the success of her debut. Danny asked Peter to tour with him and Basia in 1990, just as the guitarist released his first solo album, Reveillez-Vous (Chase). Made up mostly of unused songs that White had written for Al Stewart, the album became a DJ favorite at jazz and emerging smooth jazz radio stations. Epic exec Cliff Gorov was the man who first brought White's music to the attention of contemporary jazz radio. Former Al Stewart drummer Steve Chapman put down his sticks and became the guitarist's manager. After recording three albums for Sindrome, White signed with ColumbiaSony in 1995.
White can also be heard on the concert CD Basia on Broadway and on releases by Richard Elliot, Warren Hill, Craig Chaquico, Rick Braun, Marc Antoine, Kirk Whalum, and Everette Harp. White and the aforementioned musicians periodically do a concert tour, An Evening of Guitars, Saxes and More, with each artist showcasing their own music as well as collaborating with others on their songs. His solo work continued throughout the '90s with White releasing a slew of records: Caravan of Dreams (1996), Songs of the Season (1997), and Perfect Moment (1998). By Candlelight: Collection, Vol. 2 was issued two years later. In 2001 Glow came out, followed by Confidential in 2004. White then decided to revisit some of his favorite songs from the '60s, '70s, and '80s in his 2006 release Playin' Favourites.
--- Ed Hogan, All Music Guide |
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