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| Remember Why |
| New Stories |
első megjelenés éve: 1997
69 perc |
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| (2007)
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CD |
| 4.145 Ft
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| 1. | Prince of Darkness
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| 2. | Remember Why
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| 3. | One Finger Snap
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| 4. | In a Silent Way
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| 5. | After Letting Go
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| 6. | Colemanology
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| 7. | Circle
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| 8. | Fee Fi Fo Fum
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| 9. | Deep in a Dream
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Jazz / Post-Bop
Recorded: Mar 23, 1996,Mar 1997
New Stories
Marc Seales - piano
Doug Miller - bass
John Bishop - drums
with guests:
Don Lanphere, Rick Mandyck and Hans Teuber
Seattle's preeminent piano trio, New Stories, is back with a tribute to their inspirations and predecessors, the artists whose music had great impact on each of them when they were developing as young musicians. Included are compositions of Miles Davis, Wayne Shorter and Herbie Hancock in fresh interpretations filtered through the experiences of the intervening years. Here are also three new compositions growing out of the tradition, two by Marc Seales and one by Doug Miller.
Three great saxophonists, Don Lanphere, Hans Teuber and Rick Mandyck join New Stories singly, in pairs and one stunning group shot, Marc Seales' nod to Ornette Coleman. Doug Miller's poignant ballad is a torch song for the Nineties, and Marc Seales' title song is a reminder to each why this music is so important. New Stories is a new take on the classic piano/bass/drums trio, a trio with a strong group identity that is still flexible enough to provide superior support for soloists.
Once again the Seattle-based trio New Stories hits pay dirt with the follow-up to its first release, Circled By Hounds. Helped along by significant contributions from several guests, pianist Marc Seales, bassist Doug Miller, and drummer John Bishop settle on a play list of jazz classics and original material. Recalling the modal music days of the 1950s and especially beyond, the kickoff tune, "Prince of Darkness," sets a high standard for the session with Hans Teuber's sax the foil against which the craggy harmonies of the trio are contrasted. The group gives Miles Davis' "Circle" a definitely soulful rendering, this time with the tenor of Rick Mandyck providing the spiritual center, with major efforts by Seales' piano and the rhapsodic pizzicato bass of Doug Miller. This track is small-group virtuosity at its best. Improvisational skills matched with unabashed ballad romanticism end the album with "Deep in a Dream." The soprano sax of veteran Don Lanphere is the highlight of this track, as Seales comps gently underneath. Another fine track. The group plays with an introspective style, nothing very fast (except for a hard-driving "One-Finger Snap"), trivial, or shallow. Instead, deep thoughtfulness permeates each tune. This approach to the music might be classified small-club jazz, where a combo is playing for a small but knowledgeable audience of jazz fans, who hang on each note and who appreciate the subtle but definite presence of the interplay among those providing the music. It's a place where pieces by Wayne Shorter, Davis, Herbie Hancock, and Joe Zawinul seem to be most at home. Recommended.
---Dave Nathan, allmusic |
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