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Honey in the Horn / That Honey Horn Sound |
Al Hirt |
első megjelenés éve: 1999 |
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(1999)
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 CD |
4.045 Ft
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1. | I Can't Get Started
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2. | Java
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3. | Man With a Horn
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4. | Tansy
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5. | Night Theme
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6. | Talkin' 'Bout That River
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7. | Fly Me to the Moon
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8. | To Be in Love
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9. | Al-Di-La
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10. | Malibu
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11. | Theme from a Dream
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12. | I'm Movin' On
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13. | Fancy Pants
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14. | Danny Boy
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15. | Long Walk Home
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16. | The Contrary Waltz
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17. | Fiddler on the Roof
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18. | None But the Lonely Heart
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19. | Alley Cat
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20. | Stardust
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21. | Butterball
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22. | Over the Rainbow
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23. | You Took Advantage of Me
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24. | Flowers and Candy
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Jazz / Dixieland, Dixieland Revival, New Orleans Jazz Revival
2 LPs on 1 CD HONEY IN THE HORN (1963) THAT HONEY HORN SOUND (1965)
HONEY IN THE HORN Al Hirt (trumpet); Henri Rene (conductor); Boots Randolph (saxophone); Floyd Cramer (piano); Grady Martin, Ray Edenton (guitar); Bob Moore (bass); Anita Kerr Singers (backround vocals). Recorded at RCA Victor's "Nashville Sound" Studio, Nashville, Tennessee on February 25 & 26, 1962 and at RCA Victor's Studio A, New York, New York on February 8, 1961
THAT HONEY HORN SOUND Al Hirt (trumpet)
Includes liner notes by Mark Marymont
In 1999, Collectables released Honey in the Horn/That Honey Horn Sound, which contained two complete albums -- Honey in the Horn (1963, originally released on RCA) and That Honey Horn Sound (1965, originally released on RCA) -- by Al Hirt on one compact disc. ~ Jason Birchmeier, All Music Guide
Al Hirt
Active Decades: '50s, '60s, '70s, '80s and '90s Born: Nov 07, 1922 in New Orleans, LA Died: Apr 27, 1999 in New Orleans, LA Genre: Jazz Styles: Dixieland, Dixieland Revival
A virtuoso on the trumpet, Al Hirt was often "overqualified" for the Dixieland and pop music that he performed. He studied classical trumpet at the Cincinnati Conservatory (1940-1943) and was influenced by the playing of Harry James. He freelanced in swing bands (including both Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New Orleans in the late '40s and becoming involved in the Dixieland movement. He teamed up with clarinetist Pete Fountain on an occasional basis from 1955 on, and became famous by the end of the decade. An outstanding technician with a wide range, along with a propensity for playing far too many notes, Hirt had some instrumental pop hits in the 1960s. He also recorded swing and country music, but mostly stuck to Dixieland in his live performances. He remained a household name throughout his career, although one often feels that he could have done so much more with his talent. Hirt's early Audiofidelity recordings (1958-1960) and collaborations with Fountain are the most rewarding of his long career; he died at his home in New Orleans on April 27, 1999. ---Scott Yanow, All Music Guide |
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