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Jazz A-La Carte |
Al Hirt |
első megjelenés éve: 2006 94 perc |
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(2006)
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 2 x CD |
4.236 Ft
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1. CD tartalma: |
1. | Night in Tunisia
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2. | After You've Gone
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3. | And the Angels Sing
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4. | Blues Eys Crying in the Rain
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5. | Boy Meets Horn
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6. | Break My Mind
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7. | Ciribiribin
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8. | Faded Love
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9. | Gold Fever
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10. | Gonna Fly Now
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11. | Gospel of No Name
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12. | Hand Me Down the Can of Beans
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13. | I Walk the Line
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14. | Oh Lonesome Me
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15. | Orange Blossom Special
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16. | When the Blue Moon Turns to Gold
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2. CD tartalma: |
1. | I Really Don't Want to Know
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2. | I See Lisa
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3. | I'll Walk the Line
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4. | I'm So Lonesome I Could Cry
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5. | Java
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6. | They Call the Wind Maria
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7. | Lonesome Street
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8. | Oh Marie Marie
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9. | Oh Papa/Wonderland by Night
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10. | Rhapsody in Blue
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11. | Sleepy Time Down/Hello Dolly
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12. | Stardust/A Man with a Horn
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13. | Tenderly
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14. | Best Things in Life Are Free
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15. | First Thing You Know
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16. | There's a Coach Coming In
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17. | Wandering Star
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Jazz / Dixieland; Dixieland Revival, New Orleans Jazz Revival
Al Hirt was the leader (along w/ Pete Fountain) of the 1950s/1960s New Orleans Traditional Jazz revival. Recorded for the Southland, Audio Fidelity, RCA and Monument labels in his classic 50s, 60s, 70s heyday. This title is a great companion to Hirt's "Dixieland" or "Trad Jazz" releases, as these are his later more mainstream Pop performances. Lush Orchestral and Big Band arrangements. Some of his best Country, Jazz and Pop recordings. Contains his biggest hit "Java". Pristine sound quality and digital remastering
Disc 1: 43:18 min. Disc 2: 50:18 min.
Al Hirt
Active Decades: '50s, '60s, '70s, '80s and '90s Born: Nov 07, 1922 in New Orleans, LA Died: Apr 27, 1999 in New Orleans, LA Genre: Jazz Styles: Dixieland, Dixieland Revival
A virtuoso on the trumpet, Al Hirt was often "overqualified" for the Dixieland and pop music that he performed. He studied classical trumpet at the Cincinnati Conservatory (1940-1943) and was influenced by the playing of Harry James. He freelanced in swing bands (including both Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New Orleans in the late '40s and becoming involved in the Dixieland movement. He teamed up with clarinetist Pete Fountain on an occasional basis from 1955 on, and became famous by the end of the decade. An outstanding technician with a wide range, along with a propensity for playing far too many notes, Hirt had some instrumental pop hits in the 1960s. He also recorded swing and country music, but mostly stuck to Dixieland in his live performances. He remained a household name throughout his career, although one often feels that he could have done so much more with his talent. Hirt's early Audiofidelity recordings (1958-1960) and collaborations with Fountain are the most rewarding of his long career; he died at his home in New Orleans on April 27, 1999. ---Scott Yanow, All Music Guide |
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