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The Legend at His Best
Al Hirt
első megjelenés éve: 1965
(2000)   [ LIMITED ]

2 x CD
6.705 Ft 

 

IMPORT!
Kosaramba teszem
1. CD tartalma:
1.  I Can't Get Started
2.  Java
3.  Man With a Horn
4.  Tansy
5.  Night Theme
6.  Talkin' 'Bout That River
7.  Fly Me to the Moon
In Other Words
8.  To Be in Love
9.  Al-Di-La
10.  Malibu
11.  Theme from a Dream
12.  I'm Movin' On
13.  Fancy Pants
14.  Danny Boy
15.  Long Walk Home
16.  The Contrary Waltz
17.  Fiddler on the Roof
18.  None But the Lonely Heart
19.  Alley Cat
20.  Stardust
21.  Butterball
22.  Over the Rainbow
23.  You Took Advantage of Me
24.  Flowers and Candy
 
2. CD tartalma:
1.  Cotton Candy
2.  Hello, Dolly!
3.  Django's Castle
4.  Moo Moo
5.  Last Date
6.  Big Man
7.  Walkin'
8.  Too Late
Trop Tard
9.  Rumpus
10.  Melissa
11.  Walkin' With Mr. Lee
12.  Twelfth Street Rag
13.  Sugar Lips
14.  The Girl from Ipanema
15.  Tenderly
16.  Up Above My Head I Hear Music in the Air
17.  Milano
18.  Back Home Again In Indiana
19.  Pink Confetti
20.  Brisse, Poupee
21.  September Song
22.  New Orleans, My Home Town
23.  Night Life
24.  Lookin' for the Blues
Jazz / Dixieland; Dixieland Revival

4 LPs on 2 CDs

Disc 1
HONEY IN THE HORN (1963)
THAT HONEY HORN SOUND (1965)

Disc 2
COTTON CANDY (1964)
SUGAR LIPS (1964)



Al Hirt

Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Nov 07, 1922 in New Orleans, LA
Died: Apr 27, 1999 in New Orleans, LA
Genre: Jazz
Styles: Dixieland, Dixieland Revival

A virtuoso on the trumpet, Al Hirt was often "overqualified" for the Dixieland and pop music that he performed. He studied classical trumpet at the Cincinnati Conservatory (1940-1943) and was influenced by the playing of Harry James. He freelanced in swing bands (including both Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New Orleans in the late '40s and becoming involved in the Dixieland movement. He teamed up with clarinetist Pete Fountain on an occasional basis from 1955 on, and became famous by the end of the decade. An outstanding technician with a wide range, along with a propensity for playing far too many notes, Hirt had some instrumental pop hits in the 1960s. He also recorded swing and country music, but mostly stuck to Dixieland in his live performances. He remained a household name throughout his career, although one often feels that he could have done so much more with his talent. Hirt's early Audiofidelity recordings (1958-1960) and collaborations with Fountain are the most rewarding of his long career; he died at his home in New Orleans on April 27, 1999.
---Scott Yanow, All Music Guide

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