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2 x CD |
| 5.673 Ft
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| 1. CD tartalma: |
| 1. | Imagine This
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| 2. | Yinin' & Yangin'
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| 3. | Hip Bop
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| 4. | Joe's Journey
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| 5. | The Urban Turban
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| 6. | Tali Lama
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| 7. | Zenergy
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| 8. | Kaila Speaks
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| 9. | Sacred Place
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| 10. | Resolution
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| 2. CD tartalma: |
| 1. | Hormones In The Headphones
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| 2. | Yinin' & Yangin'
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| 3. | Kaila Raps
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| 4. | One
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| 5. | What Crime Is It?
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| 6. | Go Girl Go
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| 7. | Pretty Little Lady
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| 8. | Hero
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| 9. | Singing My Song
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| 10. | Think About That
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YIN YANG was nominated for the 2000 Grammy Award for Best Contemporary Jazz Performance
Jazz
Crossover Jazz
Fusion
Contemporary Jazz
Jazz-Funk
Jazz-Pop
Principally recorded: Masterlink Studios and Monkey Finger Studio, Nashville, Tennessee
Victor Wooten (vocals, cello, guitar, steel string guitar, acoustic & electric basses, programming); Peter Rowan, Kaila Wooten, Bootsy Collins, Tabitha Fair, Jonell Mosser, Dorothy Wooten (vocals); Count Bass D (rap vocals); Kirk Whalum (soprano & tenor saxophones); Roger "Rock" Williams (soprano saxophone); Jeff Coffin (tenor saxophone); Rudy Wooten (saxophone); Rod McGaha (trumpet); Stuart Duncan (fiddle); Joseph Wooten (piano, organ, keyboards, Theremin, background vocals); Regi Wooten (guitar, nylon string guitar); Tali Ovadia, Bela Fleck (banjo); Steve Bailey (fretless bass); JD Blair (drums, snare drum, drum programming); Kelly Gravely, Carter Beauford (drums); Jim Roberts (djembe, shaker); Darrell Tibbs (percussion)
There's little question that Victor Wooten is an ambitious musician. That was evident from his first two records, but Yin-Yang easily reaches farther than any album he has yet made. Spanning two discs, one instrumental and one vocal, Yin-Yang tries a little bit of everything, all underneath a smooth fusion umbrella. There's a bass showcases, worldbeat fusions, bluegrass jazz, smooth soulful jazz with banjos, full-fledged urban soul, songs based around baby gibberish -- a little bit of everything, all given immaculate, glossy production. That clean production not only makes the record sound accessible, but it makes the eclecticism and unpredictable stylistic fusions sound familiar. Depending on your point of view, that's either a good or a bad thing -- it either means Wooten is welcoming more listeners, or it means that it's not challenging. And that's the strange thing about Yin-Yang -- it's not particularly challenging, yet it is complex and difficult to digest in one sitting. That's largely because there's so much music on the record, but it's also because Wooten's ideas sound better when heard a few cuts at a time. He's a very talented musician and has some great ideas, but a little discipline and editing would make his records more convincing and compelling.
---Stephen Thomas Erlewine, allmusic
Includes liner notes by Victor Wooten.
Disc 1: Yin - Instrumental
Disc 2: Yang - Vocal |
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