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| Book of Silk [Japan version] |
| Tin Hat |
japán
első megjelenés éve: 2004 |
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| (2004)
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CD |
| 8.640 Ft
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| 1. | The Longest Night
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| 2. | The Clandestine Adventures of Ms. Merz
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| 3. | Company
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| 4. | Invisible Mobile
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| 5. | March of the Smallest Feet
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| 6. | Hotel Aurora
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| 7. | Osborne Avenue
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| 8. | Elliot Carter Family
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| 9. | Things That Might Have Been
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| 10. | Red Hook Stoop
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| 11. | Same Shirt, Different Day
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| 12. | Pablo Looks Back
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| 13. | Light Black from Pole to Pole
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| 14. | Lauren's Lullaby
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| 15. | Empire of Light
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Jazz / Modern Creative, Chamber Jazz
Recorded: Blue Room, Portland, Oregon
Japanese pressing of the eclectic jazz act's 2004 album, scheduled to include bonus material.
Tin Hat Trio
Carla Kihlstedt (vocals, violin, viola, trumpet); Mark Orton (guitar, dobro, prepared guitar, banjo); Rob Burger (harmonica, accordion, prepared piano, toy piano, celesta)
Additional personnel:
Zeena Parkins (harp); Bryan Smith (tuba)
Following in the pattern of their previous releases, on Tin Hat Trio's fourth album, Book of Silk, the trio of violin, accordion, and guitar traipse through haunted saloon doors and across rainy Italian piazzas. Skirting the line between jazz, acoustic music, and contemporary composition, Tin Hat Trio's earthy sonic explorations seem like something from the turn of the century, but they leave it unclear as to which century they are referring. Could be 1800, could be a century yet to come. While their songs would never be mistaken for pop tunes, previous releases have kept a real ear toward structured melody, often offering "the hook" buried deep within their meandering tune, but Book of Silk seems to drift even further out than anything before. Gone is Willie Nelson singing "Willow Weep for Me," but in his place are gauzy soundscapes and textural ghost stories, occasionally discordant and nearly always beautiful. The dobro-and-tuba-driven "Things That Might Have Been" is a cinematic piece perfect for a film about juggling, while the opening track "The Loneliest Night" sums up the group's ability to be haunting, endearing, and thought-provoking all at the same time. The album culminates with a charming chamber piece gently sung by violinist Carla Kihlstedt which serves as the perfect lullaby, lovingly tucking the album in for a good night's sleep.
---Zac Johnson, allmusic |
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