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CD |
Kérjen
árajánlatot! |
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| 1. | El Matador
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| 2. | Melanie
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| 3. | Smile
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| 4. | Beautiful Love
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| 5. | There Goes My Heart
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| 6. | Prelude
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| 7. | Una Más
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| 8. | It Could Happen To You
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| 9. | Let's Face The Music And Dance
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| 10. | No Two People
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| 11. | Lover Man
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| 12. | San Francisco Beat
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Jazz / Hard Bop
Recorded: 1961-1962
Tracks #1-6 originally issued as "Matador".
Recorded in New York, April 15, 1962.
Kenny Dorham (tp), Jackie McLean (as), Bobby Timmons (p), Teddy Smith (b), J.C. Moses (d).
Tracks #7-11 originally issued as "Inta Somethin'"
Recorded live at the Jazz Workshop, San Francisco, November 1961.
Kenny Dorham (tp), Jackie McLean (as), Walter Bishop Jr. (p), Leroy Vinnegar (b), Art Taylor (d)
All of Bebop master Kenny Dorham's quintet recordings on one CD.
His two classic albums as a leader featuring Jackie McLean. Includes the two complete Blue Note albums "Matador" and "Inta Somethin'".
2 brilliant albums back to back on one CD -- the complete recordings of the quintet co-led by trumpeter Kenny Dorham and alto saxophonist Jackie McLean! First up is Matador -- an obscure United Artists album from 1962. The set is billed under the name of Kenny Dorham -- and is one of his more far-reaching efforts, with the expansive compositional style that he started bringing to some of his Blue Note work of the early 60s. The record features a group with Jackie McLean on alto, Bobby Timmons on piano, Teddy Smith on bass, and JC Moses on drums -- all working with Kenny in a slightly Latin tinged mode that features some really shimmering trumpet work! The record features a stunning 3 part reading of McLean's haunting tune "Melanie" (done under his name on the album A Fickle Sonance) -- plus the tracks "Prelude", "El Matador", "Smile", and "There Goes My Heart". Inta Somethin is from a year earlier -- 1961 -- and was first issued on Pacific Jazz -- and the set is some of the most interesting early 60s work by both of the players! The group's co-led by Kenny Dorham and Jackie McLean, with rhythm backing by Walter Bishop Jr, Leroy Vinnegar, and Art Taylor. The quintet play a fiercely modernist approach to hardbop, in a style that's slightly more unbridled than some of their studio recordings, thanks to the live setting of the album -- which was recorded at the Jazz Workshop in San Francisco. Titles include "Us", "San Francisco Beat", "Lover Man", and "No Two People". |
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