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| 4.161 Ft
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| 1. | Almost Blue
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| 2. | Photograph
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| 3. | Tes Yeux Bemol
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| 4. | Paris Bossa
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| 5. | There's Never Been A Day
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| 6. | Afterglow
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| 7. | Devil May Care
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| 8. | I Have The Feeling I've Been Here Before
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| 9. | Left Alone
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Jazz / Vocal
Post-Bop
Vocal Jazz
Recorded: Jul 5-6, 1992
Kendra Shank, vocals
Larry Willis, piano
Steve Novosel, bass
Steve Berrios, drums/percussion
Gary Bartz - (4-6) Alto sax
Steve Berrios - (7,8) Drums
Paul Murphy - (9) Drums
This is my idea of an intimate, straight-to-the-heart jazz ballad singer. She's somewhat in the vein of Diana Krall, but maybe a little more passionate. Shirley Horn brought Kendra to Mapleshade, a singer-guitarist she discovered while on tour in Seattle. Shirley dug Kendra's cabaret singer approach to jazz ballads and her clear, slightly folk-tinged voice. Stereophile calls Kendra "…the finest jazz vocalist I've heard in years." Afterglow exemplifies the added intimacy our recordings capture. Close your eyes and you'll catch a whiff of the beautiful young diva's perfume as she bares her soul on "Almost Blue", "Devil May Care", "Left Alone" and more. Features Gary Bartz on alto sax. A Fi SuperDisc and a TAS SuperDisc. |
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