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| 3.801 Ft
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| 1. | Gator Tail, Pt. 1
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| 2. | Gator Tail, Pt. 2
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| 3. | Let 'Em Roll Bob Merrill, ,
with Bob Merrill |
| 4. | Doin' the 'Gator Tail
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| 5. | On My Own
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| 6. | Chuck's Chuckles
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| 7. | Can't Help Lovin' Dat Man
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| 8. | Dance of the Lady Bug
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| 9. | Gonna Hoot and Holler Saturday Night
with Eddie Mack |
| 10. | Cool Mama
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| 11. | Blow Jackson Blow
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| 12. | More Blues at Midnight
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| 13. | Later for the 'Gator
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| 14. | Call of the Gators
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| 15. | Steam Roller Blues
with Eddie Mack |
| 16. | Beauty Parlor Gossip
with Eddie Mack |
| 17. | 'Gators Groove
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| 18. | Harlem Nocturne
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| 19. | Rock! Rock! Rock!
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| 20. | Wine-O-Wine
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| 21. | Good Gliding
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| 22. | Street Scene
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| 23. | Estrellita
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| 24. | RB Blues
with Ruth Brown |
| 25. | Daddy Daddy
with Ruth Brown |
| 26. | Tears Keep Tumbling Down
with Ruth Brown |
Jazz
Jump Blues
With his raw, jump blues-inflected tenor sax style, full of all manner of honks and squeals delivered at maximum force, Willis "Gator" Jackson was never less than exciting as he walked the line between the worlds of jazz and R&B during his career. This generous set features Jackson with the Cootie Williams Orchestra (including Jackson's signature "Gator Tail"), the Bobby Smith Orchestra, heading up a few tracks on his own as bandleader, and supporting his then-wife Ruth Brown on a trio of blues tracks. It's a delightful anthology, full of Jackson's obvious joy at making music. Highlights include the two-part "Gator Tail," the after hours "More Blues at Midnight" (which shows Jackson could blow straight jazz when he choose to do so) and the huge-sounding "Gator's Groove," which prefigures the organ groups that would occupy Jackson's attention in the latter stages of his career. A fun and joyful set.
---Steve Leggett, allmusic |
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