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Buenos Aires Tango Standards |
Pablo Aslan |
első megjelenés éve: 2006 |
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(2007)
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CD |
4.355 Ft
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1. | La Cachila
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2. | Tinta Verde
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3. | El Pollo Ricardo
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4. | Loca Bohemia
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5. | Bahia Blanca
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6. | Ventarron
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7. | Don Agustin Bardi
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8. | De Puro Guapo
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Jazz / Latin; World; Latin Jazz
Recorded: Jun 2006
Pablo Aslan, bass Abel Rogantini, piano Jorge Retamoza, tenor and baritone sax Gustavo Bergalli, trumpet Daniel "Pipi" Piazzolla, drums "Aslan demonstrates that the century-old style is capable of absorbing a wide range of modern and traditional elements without sacrificing its trademark rhythmic structure, inherent charm, and deeply soulful character." -- JAZZIZ
Argentinean-born tango jazz bassist Pablo Aslan's second ZOHO release presents a quintet of leading Buenos Aires jazz musicians, including Astor Piazzolla's grandson! Aslan's spacious hybrid of tango and jazz finds the common ground in both. The songs are by eight of tango's twentieth century masters, some of whom are nearly forgotten. Aslan is a member Pablo Ziegler's Quintet, and has performed and recorded with Grammy winners Shakira, Joe Lovano, Gary Burton, and more.
Bassist/arranger/composer Pablo Aslan has selected eight tango standards from different eras, sketched a basic arrangement for each, and turned his band loose. The result: spontaneity and style by musicians steeped in the tango language. The sound you hear on Buenos Aires Tango Standards is not classic tango. It is what can be called the ultimate encounter between Miles Davis and Troilo, Thelonious Monk and Pugliese -- a fusion of two cultures that have been connected for a century. "La Cachila" opens the set. This song was written by Eduardo Arolas -- one of the most important composers of the early 1900s who shaped tango criollo and the effect known as the arrastre, that fundamental feature of the tango style that listeners are all familiar with. Aslan makes sure that you hear a chord progression of clear roots in the milonga and its ancestor, the guajira, within the song -- a brilliant accomplishment by any compositional standards. The bassist then graduates to Agustin Bardi's "Tinta Verde." Bardi, another pillar of the early tango repertoire, wrote a complicated piece that is not among his best-known compositions. The A section is a clever milonga riff, first in major and then in minor. Aslan's arrangement turns it into a bass and drum vamp. The B section of this three-part song is used as a release or bridge. The C section is a new fresh theme. With excellent trumpeting by Gustavo Bergalli, this song beckons the listener to become involved. "De Puro Guapo," arranged according to its milonga roots, features Daniel "Pipi" Piazzolla on drums. He reveals himself as a solid milonguero and delivers a stunning solo over a pedal point. Aslan's solo is also wonderful and exhibits a standard of playing and arranging for future generations. Overall, this entire recording is a priceless introduction to various tango standards and a must-have for the student and aficionado of the jazz and tango fusion genre. ---Paula Edelstein, allmusic |
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