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| 6.969 Ft
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| 1. | Kiddin' On The Fiddle
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| 2. | You Stepped Out Of A Dream
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| 3. | Three Little Words
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| 4. | Emaline
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| 5. | Tea For Two
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| 6. | Liza (All Clouds'll Roll Away)
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| 7. | Out Of Nowhere
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| 8. | Blue Bells Of Scotland
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| 9. | Bidin' My Time
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| 10. | Swingin' Down The Lane
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| 11. | Snowfall
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| 12. | Ragging The Scale
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| 13. | When Sunny Gets Blue
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| 14. | Cedric's Blues
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Jazz
Recorded: Nov 12-13, 2002
Skitch Henderson piano, Bucky Pizzarelli guitar, John Pizzarelli guitar, Jay Leonhart bass, Nicki Parrott bass, John Cocuzzi vibes, Sherrie Maricle drums, Sara Caswell, Johnny Frigo, Andy Stein and Aaron Weinstein violins
The selections you will hear on this disc bring back the style of improvisation which began with Dixieland and, with imagination and improvisation, propelled us through the great days of jazz. So, dance the night away. Live it up. Live up the past and celebrate the future." Walter Cronkite
Pianist Skitch Henderson and guitarist Bucky Pizzarelli put together this rather strangely configured band in 2003 to celebrate their mutual love: the music of the hot jazz and swing eras. Consisting of two guitars, bass, piano, drums, vibes and four (!) violins, the group's instrumentation manages to hark back simultaneously to several different jazz traditions all at once, but draws most strongly on that of Django Reinhardt and Stephane Grappelli's French gypsy jazz of the 1930s. The idea of multiple violins is an interesting but not really successful one -- Andy Stein's multi-tracked playing on "Kiddin' on the Fiddle" sounds awkward, as do the massed strings on the otherwise charmingly swinging "Out of Nowhere." But when Johnny Frigo steps up on his own on "You Stepped Out of a Dream," the effect is electric (as is John Pizzarelli's period-piece guitar solo), and the unison fiddles on the band's unusual jazz arrangement of "Blue Bells of Scotland" is quite a bit more effective. Violinist Aaron Weinstein and John Pizzarelli deliver a marvelous duo arrangement of "Three Little Words," and Bucky Pizzarelli distinguishes himself on the Gershwin standard "Bidin' My Time." Overall, this is an enjoyable, if quirky, excursion into swing revivalism. Recommended.
---Rick Anderson, allmusic |
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