  |
|
|
 |
|
CD |
| 3.726 Ft
|
|
| 1. | Opus De Funk
|
| 2. | Stonewall
|
| 3. | Blues Oriental
|
| 4. | Sam Sack
|
| 5. | Stairway To The Stars
|
| 6. | Invitation
instrumental
|
| 7. | Ruby, My Dear
|
| 8. | Namesake
|
| 9. | 'round Midnight
|
| 10. | If You Could See Me Now
|
| 11. | Extraordinary Blues
|
| 12. | Save Your Love For Me
|
| 13. | Gemini
|
| 14. | Ignunt Oil
|
Jazz
Hard Bop
Post-Bop
Recorded: Jun 16, 1954-Dec 9, 1963
Milt Jackson (vibraphone); Wes Montgomery (guitar); Cannonball Adderley (alto saxophone); Jimmy Heath (tenor saxophone); Clark Terry, Kenny Dorham, Thad Jones (trumpet); Hank Jones, Horace Silver, Tommy Flanagan, Wynton Kelly (piano); Percy Heath, Richard Davis, Ron Carter (bass instrument); Connie Kay, Kenny Clarke, Philly Joe Jones, Art Blakey (drums)
Here is Milt Jackson, one of the most soulful and inspired soloists of all time on any instrument and perhaps the most commanding of vibes players, working outside the Modern Jazz Quartet at two points in his legendary career. The first two tracks, from the Prestige catalog, capture him in loosely organized blowing sessions that emphasize his mastery of the blues, while the remainder of the program surveys the contexts (all-star encounters, large ensemble settings, and live performances) that Jackson employed during his Riverside period. Jackson always worked in elevated company, as the presence of Cannonball Adderley, Wes Montgomery, Kenny Dorham, Horace Silver, Jimmy Heath, and other giants indicates. |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
