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CD |
| 4.377 Ft
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| 1. | The Girl From Ipanema
with Stan Getz |
| 2. | Fly Me To The Moon
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| 3. | Non-Stop To Brazil
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| 4. | Only Trust Your Heart
with Stan Getz |
| 5. | It Might As Well Be Spring
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| 6. | My Foolish Heart
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| 7. | Misty Roses
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| 8. | Tu Me Delirio
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| 9. | Corcovado (Quiet Nights Of Quiet Stars)
with Stan Getz |
| 10. | Manha De Carnival
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| 11. | If You Went Away
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| 12. | Here's That Rainy Day
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| 13. | I Will Wait For You
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| 14. | Who Can I Turn To?
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| 15. | Once Upon A Summertime
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| 16. | The Shadow Of Your Smile
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Jazz / Latin
Bossa Nova
Brazilian Jazz
Latin Jazz
Recorded: Oct 6, 1964-May 25, 1967
Astrud Gilberto (vocals); Stan Getz (tenor saxophone)
More thematically-programmed than many of Verve's compilations, the Jazz 'Round Midnight series focuses on the quiet, romantic side of the label's artists. Astrud Gilberto is a perfect match for this series. Her simultaneously childlike and alluring voice defines the quiet, romantic elements of the bossa nova style she popularized worldwide with the enormous success of Antonio Carlos Jobim's "The Girl from Ipanema," recorded with her then-husband Joao Gilberto and the Stan Getz Quartet in 1963. After that classic, JAZZ ROUND MIDNIGHT focuses little on Gilberto's trademark Brazilian sambas, instead favoring her unique interpretations of jazz standards. Gilberto's bossa nova versions of "Fly Me To the Moon," "The Shadow Of Your Smile," and "Here's That Rainy Day" epitomize romantic languor. "I feel so gay in a melancholy way" goes the key line of the standard "It Might As Well Be Spring," and no sentiments could better encapsulate Astrud Gilberto's gift. |
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