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| 3.324 Ft
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| 1. | Syeeda's Song Flute
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| 2. | Epistrophy
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| 3. | Move
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| 4. | High Seas
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| 5. | Cookoo and Fungi
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| 6. | Blue Interlude
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Jazz / Bop; Hard Bop
Recorded: Aug 6, 1960, Van Gelder Studio, Englewood Cliffs, New Jersey
Art Taylor (drums)
Dave Burns (trumpet)
Stanley Turrentine (tenor saxophone)
Wynton Kelly (piano)
Paul Chambers (bass instrument)
Carlos 'Patato' Valdes (congas)
Although Art Taylor was one of the busiest modern second-generation jazz drummers, working in the studio with Coleman Hawkins, Donald Byrd, John Coltrane and many others, he only released five albums under his own name, of which A.T.'s Delight was the third. And a delight it is indeed, bright and percussive, and when conga player Carlos "Patato" Valdes joins Taylor and pianist Wynton Kelly and bassist Paul Chambers on three cuts (Thelonious Monk's "Epistrophy," "Move" and a Taylor calypso-inflected original called "Cookoo and Fungi"), the rhythm pocket opens into a deep blue sea for the horn men (Stanley Turrentine on tenor sax and Dave Burns on trumpet). "Move" does exactly that, it moves, and at a blistering pace. Monk's "Epistrophy," thanks in part to Valdes, reveals its rumba roots, and has never sounded brighter. The seldom-covered Coltrane composition "Syeeda's Song Flute" seems likewise refreshed and revived. The lone Taylor original, the driving "Cookoo and Fungi," is as sharp and alert is a kitten waking from a nap in the spring sun, and Taylor's drum solo is crisp, efficient and slides seamlessly into the calypso-informed main theme. A.T.'s Delight is a solid outing, with a wonderfully nervous but completely focused energy.
---Steve Leggett, AMG
Art Taylor
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Apr 06, 1929 in New York, NY
Died: Feb 06, 1995
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz
One of the great drummers of the 1950s, Art Taylor was on a countless number of hard bop and jam session-styled sessions. His first important gig was with Howard McGhee in 1948, and this was followed by associations with Coleman Hawkins (1950-1951), Buddy DeFranco (1952), Bud Powell (1953 and 1955-1957), and George Wallington (1954-1956). Taylor seemed to live in Prestige's studios during the second half of the 1950s, although he found time to lead his Wailers, visit Europe with Donald Byrd in 1958, gig and record with Miles Davis, and play with Thelonious Monk (including his acclaimed Town Hall concert) in 1959. In 1963, Taylor moved to Europe where he spent most of the next 20 years (mostly living in France and Belgium), playing with Europeans and such Americans as Dexter Gordon and Johnny Griffin. He interviewed scores of his colleagues and collected many of the insightful discussions in his very readable book -Notes and Tones (which was reprinted in 1993). After returning to the U.S., Taylor resumed his freelancing, and in the early '90s he organized a new version of the Wailers which, during its short existence prior to his death, temporarily filled the gap left by the end of the Jazz Messengers.
---Scott Yanow, All Music Guide |
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