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Still Grazing - The Musical Journey of Hugh Masekela
Hugh Masekela
első megjelenés éve: 2004
(2004)

CD
3.726 Ft 

 

IMPORT!
Kosaramba teszem
1.  Child Of The Earth
2.  Ha Lese Le Di Khanna
3.  A Felicidade
4.  Up Up And Away
5.  Bajabula Bonke (The Healing Song)
6.  Grazing In The Grass
7.  Gold
8.  Mace And Grenades
9.  Languta
10.  Been Such A Long Time Gone
11.  Stimela (Coal Train)
Jazz

* Acheampong Welbeck - Bells, Calabash, Drums, Drums (Bass)
* Alexander Abreu - Sax (Soprano), Sax (Tenor)
* Arthur Adams - Guitar
* Bernie Grundman - Mastering
* Big Black - Conga
* Bill Henderson - Piano
* Bishop James Morton - Conga, Vocals
* Bruce Langhorne - Guitar
* Bryan Koniarz - Supervisor
* Cecil Barnard - Piano
* Charlie Smalls - Piano
* Chuck Carter - Drums
* Denise Koleda - Design
* Henry Franklin - Bass
* Hollis King - Art Direction
* Hugh Masekela - Flugelhorn, Trumpet, Vocals
* Isaak Asante - Percussion, Talking Drum, Vocals
* Joe Sample - Piano (Electric)
* John Cartwright - Bass
* Ken Druker - Executive Producer
* Nat Leepuma Hammond - Conga, Flute, Vocals
* Richard Neesai Botchway - Guitar
* Samuel Nortey - Percussion, Shekere, Vocals
* Sherniece Smith - Art Producer
* Stanley Kwesi Todd - Bass (Electric), Vocals
* Stewart Levine - Liner Notes, Original Recording Producer, Producer
* Stix Hooper - Drums
* Wayne Henderson - Trombone
* William Henderson - Piano
* Wilton Felder - Sax (Tenor)

Released to coincide with Hugh Masekela's autobiography of the same name, Still Grazing picks up the Masekela story from Verve's summary of the best of the MGM albums, The Lasting Impression of Ooga-Booga, and runs through the Uni and Blue Thumb material. The 1966 tracks are from The Emancipation of Hugh Masekela, where the trumpeter mixes his florid horn calls and vocals with variations of the boogaloo, township jive, soul-jazz, and in Antonio Carlos Jobim's "Felicidade," a slight pinch of bossa nova into a hip, brightly colored cuisine that no one else was attempting at the time. As in the MGM days, Masekela is obliged to cover the hit tunes of the day, although "Up, Up, and Away" has more life and jazz licks than those earlier attempts. 1968's "The Promise of a Future" was the real commercial breakthrough -- thanks to the out-of-the-blue success of the cowbell-beating "Grazing in the Grass," which improbably rose to the number one slot on Top 40 radio in those enlightened times. That triumphant track would be Masekela's last trip to the Top 40, whereupon he promptly used the exposure to shine a harsh light on what was going on in his homeland ("Gold") and America in 1968 ("Mace and Grenades"). The CD then jumps to a percolating, Echoplexed "Languta" from a 1973 session in Lagos, Nigeria, before concluding with a withering account of the South African coal-mining trains ("Stimela"). The package is given extra credibility by the original producer of these tracks, Stewart Levine, who compiled the album and also wrote a fond set of reminiscences. Many of these premonitions of today's world music scene have been gone for decades, and it's good to have at least some of them back in circulation again.
---Richard S. Ginell, All Music Guide

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