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| 1. | West End Blues
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| 2. | West End Blues
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| 3. | I've Got That Thing
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| 4. | I've Got That Thing
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| 5. | Freakish Light Blues
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| 6. | Freakish Light Blues
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| 7. | Call of the Freaks
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| 8. | Call of the Freaks
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| 9. | The Trumpet's Prayer
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| 10. | The Trumpet's Prayer
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| 11. | Can I Tell You?
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| 12. | Can I Tell You?
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| 13. | My Good Man Sam
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| 14. | My Good Man Sam
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| 15. | What You Want Me to Do?
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| 16. | Sweet Like This
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| 17. | Too Late
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| 18. | I'm Lonesome Sweetheart
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| 19. | I Want You Just Myself
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| 20. | I Can't Stop Loving You
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| 21. | Everybody Does in Hawaii
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| 22. | Everybody Does in Hawaii
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Jazz
Arthur Taylor - Banjo
Bobby Holmes - Clarinet, Sax (Alto)
Cecil Irwin - Clarinet, Sax (Tenor)
Charlie Holmes - Clarinet, Sax (Alto), Sax (Soprano)
Claude Roberts - Banjo
Clinton Walker - Bowed Bass
Dave Nelson & the King's Men - Trumpet, Violin
Don Frye - Piano
Edmund Jones - Drums
Fred "Rodriguez" Robinson - Trombone
Glyn Paque - Clarinet, Sax (Alto)
Hilton Jefferson - Sax (Alto)
J.C. Higginbotham - Trombone
James P. Johnson - Piano
Jimmy Archey - Trombone
Joe "King" Oliver - Direction, Trumpet
Louis Metcalf - Trumpet
Luis Russell - Piano
Omer Simeon - Clarinet, Sax (Alto)
Paul Barbarin - Drums
Quinn Wilson - Bowed Bass
Roy Smeck - Guitar (Steel)
Teddy Hill - Clarinet, Guitar, Sax (Tenor)
Walter "Fats" Pichon - Violin
* Georgie Rogers - Direction
* John Capes - Liner Notes, Transfers
* John R.T. Davies - Transfers
* Rich Art - Design, Type
* Ted Kendall - Remastering
* Tommy Willis - Transfers
* Wallace Bishop - Direction
The renowned bandleader Joe "King" Oliver led one of the 20th century's first successful jazz bands, which originally featured the drummer Baby Dodds; his brother, the clarinetist and saxophonist Johnny Dodds; the trumpeter Louis Armstrong; and Armstrong's future wife, the pianist Lil Hardin. However, this set features some of Oliver's later 1930 recordings for the Victor Talking Machine Company. The bandleader was suffering from a painful gum disease which made stand-ins necessary for most of his solos, but his acumen in choosing talented musicians is apparent in the performances of such figures as the pianist James P. Johnson and the trumpeters Bubber Miley and Henry "Red" Allen. Highlights include the exotic-sounding "Everybody Does It in Hawaii."
The U.K.'s Frog label presents in two volumes the complete issued Victor recordings of Louis Armstrong's mentor King Oliver, including the alternate takes. This first disc contains 22 sides recorded between January 26 and December 30, 1929 at seven different sessions that took place in New York at Liederkranz Hall and a studio on 46th Street, as well as in Chicago, not far from where he made his first recordings back in 1923. By 1929, Joe Oliver's pyorrhea had begun to compromise his ability to blow his horn; cornet and trumpet solos were now carried by Louis Metcalf and Dave Nelson (who was Oliver's nephew). Oliver also began to lean on others to shoulder the burden of leading larger ensembles; his bandmasters were Luis Russell, Loran L. Watson and later Carroll Dickerson. The Victor recordings of King Oliver combined vestigial influences from New Orleans and Chicago with the prevailing jazz and dance band styles in New York City. Tracks one through ten document five titles done twice by an ensemble that included fine players like trombonist J.C. Higginbotham, drummer Paul Barbarin and reedmen Charlie Holmes and Teddy Hill. Fats Pichon is the vocalist heard on "I've Got That Thing." The Chicago session, which took place on February 25, 1929, featured clarinetist Omer Simeon and a cornetist believed to have been the great Punch Miller. The session of November 6, 1929 included two superb musicians in the lineup: pianist James P. Johnson and alto saxophonist Hilton Jefferson. This first volume of the complete Victor recordings of King Oliver closes with two versions of "Everybody Does It in Hawaii," a marvelous feature for steel guitarist Roy Smeck.
---arwulf arwulf, All Music Guide |
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