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| 1. | Klactoveesedstene
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| 2. | I Remember Harlem
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| 3. | The Blessing
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| 4. | Free
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| 5. | When Will the Blues Leave?
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| 6. | How Deep Is the Ocean?
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| 7. | Ramblin'
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| 8. | Crossroads
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Jazz
Recorded: Live at the Hillcrest Club, Los Angeles, October 1958
Ornette Coleman (as)
Don Cherry (tp), Paul Bley (p), Charlie Haden (b) & Billy Higgins (d)
Colaborations:
Don Cherry, Paul Bley, Charlie Haden, Billy Higgins
The complete performance on a single CD for the first time. Tracks #5-8 appearing on CD for the first time ever.
Ornette Coleman has been announced as a winner of the Pulitzer Prize for Music, for his for his most recent full-length, last year's "Sound Grammar"! Hear how it all started right here on this CD!
THE TRUE ORIGINS OF FREE JAZZ...Just as the famous 1940-41 Jerry Newman recordings at Minton's and Clark Monroe's Uptown House captured the transition from swing to bebop, the music on this CD (compiled here on one set for the first time ever) marks one of the first steps from bebop into what would soon be called "free jazz". The whole quintet consisted of modern players working with the same concept: a freer way of playing jazz, which transcended the strict confines of melody, harmony and rhythm. They would create a whole new idiom by constructing music via the interplay of simultaneous collective improvisation.
These concerts are the only known recorded works of Paul Bley with Ornette Coleman, Don Cherry or Billy Higgins, both separately and as a unit. Even though it may not have been a regular unit or a stylistically defined group, the quintet heard on these historic Hillcrest recordings shows a highly creative level, and transmits a contagious excitement and a continuous search for new musical ideas and new ways to express themselves that makes this music as impressive today as it was when it was first performed nearly fifty years ago.
Ornette Coleman's epic 1959 LPs The Shape of Jazz to Come and Change of the Century were pivot points in modern post-bop jazz and early creative music. This recording is a prelude to those epics, a live two-night engagement in October of 1958 at the Hillcrest Club in Los Angeles. The Coleman quintet, with trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, plus a then-young pianist Paul Bley, sets up that new shape of jazz. This eight-selection set features three of Coleman's signature originals, two standards, and three lesser-known, fairly rare pieces that Coleman did at the time. The program kicks off with Charlie Parker's "Klactoveedsedstene," an on-fire free bopper where Coleman's alto sax in tandem with Cherry reflects a quest for cleanliness and innocent, alive freshness, well transferred, balanced, and reproduced digitally. Whoever tagged this music unlistenable needs to revisit the symbiosis of the front-line horns present. Three of Coleman's all-time immortal compositions on call are the relaxed and easily swung harmolodic dream "The Blessing" accented by Ornette's piquant alto, the call-and-response-laden "When Will the Blues Leave?," and the post-bop evergreen "Ramblin'." The stairstep ascending and descending melody for "Free" also remains arresting, taking no prisoners. It's interesting how alleged rebel Coleman pays reverence to two ballad standards, Roy Eldridge's pensive "I Remember Harlem" and Cherry's trumpet-led "How Deep Is the Ocean?" Closing is the frantic, scattershot two-minute improvisation "Crossroads." A major fault of this recording is Bley's piano, which is unfortunately so far down in the mix that it is virtually inaudible. One really has to strain, even with headphones, to hear the true depth of Bley's clearly brilliant, probing, but muffled and muted playing. There's no doubt as to the historical and musical significance of this date, and it belongs in the collection of any follower of Coleman, despite the one production flaw.
---Michael G. Nastos, All Music Guide |
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