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Kérjen
árajánlatot! |
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| 1. | Blues for Del
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| 2. | She's a Carioca
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| 3. | Manha Da Carnaval
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| 4. | Here's That Rainy Day
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| 5. | What Now My Love
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| 6. | Samba de Aviao
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| 7. | Night Song
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| 8. | Days of Wine and Roses
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| 9. | Come Back to Me
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| 10. | Silver Tears
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| 11. | A Bluish Bag
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| 12. | With This Ring
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Jazz / Soul-Jazz
Recorded: Van Gelder Studio, Englewood Cliffs, NJ
* Tracks 1-7: February 17, 1967
* Tracks 8-12: June 9, 1967
Donald Byrd - (1-7) trumpet
Julian Priester - trombone
Jerry Dodgion - flute, alto sax, (1-7) alto flute
Joe Farrell - (1-7) flute, tenor sax
Stanley Turrentine - tenor sax
Pepper Adams - baritone sax
Kenny Barron - (1-7) piano
Bucky Pizzarelli - (1-7) guitar
Ron Carter - (1-7) bass
Mickey Roker - drums
Blue Mitchell - (8-12) trumpet
Tommy Turrentine - (8-12) trumpet
Al Gibbons - (8-12) bass clarinet, tenor sax
McCoy Tyner - (8-12) piano
Walter Booker - (8-12) bass
Tenor saxophonist Stanley Turrentine's tenure with Blue Note produced an eye-popping variety of sessions, from big band to organ trio and mined a wide variety of musical styles. His work with pianist/arranger Duke Pearson was particularly fertile ground for both artists. Featuring two different 10-piece bands, the first seven tracks were released on two long-out-of-print LPs in the late-'70s, and the last five tracks are gems from the second session issued here for the first time.
* Alfred Lion - Producer
* Duke Pearson - Arranger
* Francis Wolff - Photography
* Michael Cuscuna - Liner Notes, Producer
* Patrick Roques - Reissue Art Director, Reissue Design
* Ron McMaster - Mastering
* Rudy Van Gelder - Engineer
Stanley Turrentine's great blues-inflected tenor sax work for Blue Note Records in the 1960s helped build the template for what became known as soul-jazz, but Turrentine was always restless, and he recorded in a wide variety of formats, from trios to sextets, during his nine years at the label. This set, drawn from a pair of 1967 sessions, one in February that included Donald Byrd on trumpet, and the other in June with McCoy Tyner on piano, wasn't released by Blue Note at the time, although it is a smooth-running and varied album from start to finish, featuring several fine Turrentine sax solos over artfully arranged massed horn charts (eventually some of the tracks were released as Stanley Turrentine in 1975 and others as New Time Shuffle in 1979). Obvious highlights include the lead track, the lightly bouncing "Blues for Del," the title piece, "A Bluish Bag," composed by Henry Mancini and drawn from his Gunn movie soundtrack that had just come out that year, and the beautiful Johnny BurkeJimmy Van Heusen ballad "Here's That Rainy Day," which allows Turrentine's concise, vibrato-free tenor sax playing to go tender and movingly soft. The large band arrangements mean that Turrentine often sits back in the mix here, but his solos, when they come, are always both appropriate and striking, a balance that is tougher to achieve than one might think. A Bluish Bag doesn't rewrite the book on Turrentine, but it shows that, whether large ensemble or small, he always brought his game.
---Steve Leggett, All Music Guide |
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