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6 x CD |
| 12.657 Ft
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| 1. CD tartalma: |
| 1. | Straight Street
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| 2. | While My Lady Sleeps
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| 3. | Chronic Blues
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| 4. | Bakai
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| 5. | Violets for Your Furs
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| 6. | Time Was
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| 7. | I Hear a Rhapsody
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| 8. | Trane's Slo Blues
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| 9. | Slowtrane
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| 10. | Like Someone in Love
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| 11. | I Love You
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| 2. CD tartalma: |
| 1. | You Leave Me Breathless
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| 2. | Bass Blues
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| 3. | Soft Lights and Sweet Music
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| 4. | Traneing In
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| 5. | Slow Dance
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| 6. | Lush Life
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| 7. | The Believer
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| 8. | Nakatini Serenade
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| 3. CD tartalma: |
| 1. | Come Rain or Come Shine
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| 2. | Lover
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| 3. | Russian Lullaby
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| 4. | Theme for Ernie
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| 5. | You Say You Care
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| 6. | Good Bait
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| 7. | I Want to Talk About You
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| 8. | Rise 'N Shine
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| 9. | I See Your Face Before Me
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| 4. CD tartalma: |
| 1. | If There Is Someone Lovelier Than You
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| 2. | Little Melonae
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| 3. | By the Numbers
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| 4. | Black Pearls
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| 5. | Lover Come Back to Me
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| 6. | Sweet Sapphire Blues
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| 5. CD tartalma: |
| 1. | Spring Is Here
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| 2. | Invitation
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| 3. | I'm a Dreamer, Aren't We All
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| 4. | Love Thy Neighbor
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| 5. | Don't Take Your Love from Me
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| 6. | Stardust
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| 7. | My Ideal
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| 8. | I'll Get By
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| 6. CD tartalma: |
| 1. | Do I Love You Because You're Beautiful?
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| 2. | Then I'll Be Tired of You
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| 3. | Something I Dreamed Last Night
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| 4. | Bahia
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| 5. | Goldsboro Express
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| 6. | Time After Time
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Jazz / Hard Bop
Recorded: May 31, 1957-Dec 26, 1958
John Coltrane - Sax (Tenor)
Albert "Tootie" Heath - Drums
Donald Byrd - Trumpet
Earl May - Bass
Freddie Hubbard - Trumpet
Johnny Splawn - Trumpet
Louis Hayes - Drums
Mal Waldron - Piano
Red Garland - Piano
Sahib Shihab - Sax (Baritone)
Wilbur Harden - Flugelhorn, Trumpet
In celebration of John Coltrane's 80th birthdate, Concord Music Group is now proud to present Fearless Leader, a special 6-CD boxed set focusing on his Prestige Records output as a band leader (1957-1958).
*This is the FIRST-EVER COMPREHENSIVE BOXED SET focusing on John Coltrane’s Prestige Records output as a band leader.
*This BEAUTIFUL 6-CD boxed set is adorned with RARE PHOTOGRAPHS of John Coltrane as well as an EXTENSIVE 64-PAGE BOOKLET featuring COMPLETE ANNOTATED DISCOGRAPHICAL INFORMATION and liner notes by noted music historians RICHARD S. GINELL and LEWIS PORTER.
*Also features ORIGINAL SESSION NOTES and fully reproduced ORIGINAL ALBUM ARTWORK.
*Features noted sidemen RED GARLAND, PAUL CHAMBERS, DONALD BYRD, JIMMY COBB and FREDDIE HUBBARD. *24-BIT REMASTERING from the Original Analog Master Tapes.
* Abbey Anna - Project Assistant
* Bill Belmont - Project Assistant
* Bob Parent - Cover Photo
* Bob Weinstock - Original Session Producer
* Burt Goldblatt - Photography
* Cheryl Pawelski - Compilation, Liner Notes, Producer
* Chris Clough - Project Supervisor
* Dan Morgenstern - Original Liner Notes
* Esmond Edwards - Producer
* Greg Allen - Art Direction, Design
* Ira Gitler - Original Liner Notes
* Jack McKinney - Original Liner Notes
* Jamie Putnam - Project Assistant
* Joe Goldberg - Original Liner Notes
* Joe Tarantino - Remastering
* Lewis Porter - Liner Notes
* Nick Phillips - Project Assistant
* Patrick Milligan - Compilation, Liner Notes, Producer
* Richard S. Ginell - Liner Notes
* Rikka Arnold - Project Assistant
* Rudy Van Gelder - Engineer
* Stuart Kremsky - Project Assistant
* Terri Hinte - Editorial
In the spring of 1957, when he signed with Bob Weinstock's Prestige Records, John Coltrane was still a relative newcomer to the national jazz scene. He wasn't, at age 30, a youngster by any means, and he had already been playing professionally for more than a dozen years, but most of that had been as a sideman and he was known primarily to insiders. Most recently, since 1955, he'd worked for Miles Davis, who had first recognized Coltrane's potential in the late '40s. Coltrane's blowing with Davis' quintet was often brilliant, sometimes spotty, promising overall, but the saxophonist's heroin habit was getting the better of him and Davis cut him loose a number of times before finally disbanding the group in 1957. Weinstock was well familiar with Coltrane's growing reputation and had used him as a sideman at the label. When he gave him a contract as a leader, he could not have known, of course, that he was setting off one of the most monumentally influential careers jazz would ever know. At Prestige, Coltrane, now cleaned up from drugs, was ridiculously prolific, taking part in some 27 sessions in all during 1957 and 1958, the entirety of which, 125 tracks, can be heard on the 16-disc box set The Prestige Recordings. This six-disc set seems almost minimal in comparison, eschewing Coltrane's sideman work at Prestige to concentrate on his role as frontman. But by focusing on Coltrane as an increasingly creative, at times explosive, groundbreaking force, this "compact" set is, in its own way, the more potent of the two. And Fearless Leader is an appropriate title: Coltrane was by nature unafraid to take chances, eager to dare himself and his musicians to go places jazz had yet to travel. He wasn't quite up to running speed yet at Prestige, but he was well on his way to figuring out that the possibilities were boundless.
While some of the Prestige recordings might seem almost tame and mainstream in comparison to the music Coltrane would later cut for Atlantic and Impulse!, that's really only in retrospect: seen in the context of its time, the sessions that Coltrane cut at Prestige -- released originally on such albums as Coltrane, Traneing In, The Believer, Soultrane, and the stunning balladsstandards set Lush Life, on which Coltrane plays it relatively straight, displaying a debt to Charlie Parker that would dissipate as he proceeded to probe worlds Bird never dreamed of -- raised the bar higher than it had ever been at the time. As Fearless Leader is arranged by session and does not attempt to replicate the original albums' running orders, however, those earlier contexts cease to exist and listeners are left to experience the music as Coltrane -- working at Prestige mainly with such peers as pianist Red Garland, bassist Paul Chambers, drummers Art Taylor and Louis Hayes, and trumpeters Donald Byrd and Freddie Hubbard -- cut it, chronologically. Whatever tentativeness he was still feeling early in the relationship slowly gives way, and by the end of Coltrane's tenure at the label, his signature aggressive probing is in full swing, notably on tracks such as "Bahia" and "Goldsboro Express," from his December 1958 session, and a breakneck "Lover Come Back to Me" from earlier that year. Although he was still capable of playing it straight and unadorned -- his blues and romantic ballads are uniformly moving and elegantly laid out -- and Coltrane's Prestige era was a transitional one to be sure, Fearless Leader makes clear that the roots of his genius were already firmly planted.
---Jeff Tamarkin, All Music Guide |
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