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| Live at the 1971 Monterey Jazz Festival [ ÉLŐ ] |
| Sarah Vaughan |
| első megjelenés éve: 1971 |
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| (2007)
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CD |
Kérjen
árajánlatot! |
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| 1. | Introduction - Norman Granz
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| 2. | I Remember You
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| 3. | Lamp Is Low
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| 4. | 'Round Midnight
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| 5. | There Will Never Be Another You
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| 6. | And I Love Him
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| 7. | Scattin' The Blues
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| 8. | Tenderly
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| 9. | All Stars Introduction
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| 10. | Monterey Jam
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| 11. | Monterey Jam
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Jazz
Sarah Vaughan - Vocals
Bill Harris Quintet - Trombone
Bill Mays - Piano
Bob Magnusson - Bass
Clark Terry - Flugelhorn, Vocals
Eddie "Lockjaw" Davis - Sax (Tenor)
Jimmy Cobb Quartet - Drums
John G. Lewis - Piano
Louie Bellson - Drums
Mundell Lowe - Guitar
Roy Eldridge - Trumpet
Zoot Sims & His Five Brothers - Sax (Tenor)
This previously unreleased live album features Sarah Vaughan in vocals, Billy Mays playing piano, Bob Magnusson groovin' the bass and Jimmy Cobbs on drums. Also features The Monterey Jazz Festival All-Stars (#10 and 11): Bill Harris - trombone; Roy Eldridge - trumpet; Clark Terry - trumpet, vocals (#10 only); Eddie “Lockjaw” Davis, Zoot Sims-tenor saxophones; Benny Carter - alto saxophone; Mundell Lowe - guitar; John Lewis - piano; Louie Bellson - drums. Produced by Jimmy Lyons, this album was recorded live at the Monterey Jazz Festival on September 19, 1971.
* Ben Conrad - Project Assistant
* Chris Clough - Production Assistant
* Glen Barros - Series Executive Producer
* Greg Allen - Art Direction, Design
* Jason Olaine - A&R, Digital Editing, Liner Notes, Producer
* Jesse Nichols - Project Assistant
* Jimmy Lyons - Concert Producer
* Joe Tarantino - Mastering
* Larissa Collins - Art Direction, Design
* Mary Hogan - Project Assistant
* Nick Phillips - Producer
* Randy Rood - Project Assistant
* Rikka Arnold - Editorial
* Scott Yanow - Liner Notes
* Shawn Anderson - Project Assistant
* Simone Giuliani - A&R Assistance, Digital Editing
* Stuart Kremsky - Project Assistant
* Tim "T-Bone" Jackson - Liner Notes, Series Executive Producer
* Veryl Oakland - Photo Courtesy
Sarah Vaughan was approximately three decades into her career when she stepped onto the stage at the Monterey Jazz Festival in September 1971 and still at the top of her game. Her voice swoops, sways and swings; it's a veritable roller coaster of pitch, tone and tempo, and Vaughan is in complete control of her instrument at all times. The voice is weightier than it was during her early days, but having recently taken a few years off from recording it was primed and ready for the remarkable push Vaughan was prepared to give it. Backed by the very capable trio of Bill Mays on piano (Vaughan introduces him as Willie Mays), Bob Magnusson on bass and Jimmy Cobb on drums, Vaughan wastes no time showing why she always appears on the short list of jazz's greatest singers: On "I Remember You" she takes command of the rhythm and bends it to her will; it's impossible not to fall within her spell instantaneously. Vaughan must know she's on a roll because midway through the song she lets out a "Whoo!" that one might expect to hear from an audience member rather than the singer herself. "There Will Never Be Another You," taken at a breakneck pace, gives the band ample opportunity to blow, and Vaughan stays just far enough ahead to lead the way -- at times it sounds as if she will leave them in the dust, but she never does; chaos is averted and something wholly exhausting but satisfying emerges. She follows that up with a gender-altered revisit to the Beatles' "And I Love Her" (retitled here "And I Love Him" for obvious reasons) that transforms it into a loosey-goosey blues that gives the singer enough breathing room to toy with the lyric in ways Paul McCartney could not have imagined. For the last two tracks, Vaughan is joined by a true all-star cast of horn players (Roy Eldridge, Clark Terry, Benny Carter, Eddie "Lockjaw" Davis, Bill Harris and Zoot Sims), plus Louie Bellson on drums, Mundell Lowe on guitar and John Lewis on piano. Vaughan's role during the ensuing jam is primarily as scatter, but it's hard to imagine that any listener is going to complain that she takes a back seat after having experienced such a top-notch performance.
---Jeff Tamarkin, All Music Guide |
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