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| Soulville [RMST] |
| Ben Webster |
| első megjelenés éve: 1957 |
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| (2003)
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CD |
| 3.950 Ft
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| 1. | Soulville
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| 2. | Late Date
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| 3. | Time On My Hands
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| 4. | Lover Come Back To Me
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| 5. | Where Are You
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| 6. | Makin' Whoopee
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| 7. | Ill Wind
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| 8. | Who
bonus track
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| 9. | Boogie-Woogie
bonus track
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| 10. | Roses Of Picardy
bonus track
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Jazz
Recorded in Hollywood, California on October 15, 1957.
Ben Webster Tenor Saxophone, Piano
Oscar Peterson Piano
Herb Ellis Guitar
Ray Brown Bass
Stan Levey Drums
On tracks 8-10: Ben Webster replaces Oscar Peterson on piano
Soulville is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesmen when he recorded this album in 1957, but the youthful fire that had marked his playing with the Duke Ellington Orchestra two decades earlier was undiminished.
Leading a stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is at his peak. And this reissue includes three rare recordings of Webster on piano, the first instrument he played as a young professional musician.
The by turns grizzled and vaporous-toned Ben Webster really hit his stride on the Verve label. During a stretch from roughly 1953-1959, the Ellington alumnus showcased his supreme playing with both combos and string sections, swingers and ballads -- and lurking beneath his blustery and hulking sound were solo lines brimming with sophistication and wit. This 1957 date with the Oscar Peterson Trio is one of the highlights of that golden '50s run. After starting off with two bluesy originals -- the slow burning title track and the gutsy "Late Date" -- Webster gets to the heart of things on five wistful ballads: Here, his exquisitely sly "Makin' Whoopee" is only outdone by an incredibly nuanced "Where Are You." Providing sympathetic counterpoint, Peterson forgoes his usual pyrotechnics for some leisurely compact solos; his cohorts -- guitarist Herb Ellis, bassist Ray Brown, and drummer Stan Levey -- are equally assured and splendid. And ending the set with flair, Webster takes over the piano for three somewhat middling yet still impressive stride and boogie-woogie-styled numbers (these are his only piano recordings). Newcomers shouldn't hesitate to start here. [In addition to the three bonus tracks included with the original CD pressing, Verve's 2003 reissue featured new liner notes and photographs, updated cover art, and a 24-bit remaster.]
---Stephen Cook, allmusic |
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