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| 3.760 Ft
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| 1. | Temptation
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| 2. | Autumn In New York
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| 3. | Lover
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| 4. | Stella By Starlight
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| 5. | Dancing In The Dark
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| 6. | Night And Day
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| 7. | I Can't Get Started
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| 8. | What Is This Thing Called Love
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| 9. | Almost Like Being In Love
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| 10. | Laura
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| 11. | In The Still Of The Night
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| 12. | Old Folks
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| 13. | If I Love Again
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| 14. | In The Still Of The Night
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| 15. | In The Still Of The Night
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| 16. | In The Still Of The Night
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| 17. | Old Folks
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| 18. | Old Folks
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| 19. | Old Folks
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| 20. | In The Still Of The Night
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| 21. | In The Still Of The Night
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| 22. | Old Folks
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| 23. | Old Folks
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| 24. | Old Folks
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Jazz
Tracks 1-4 recorded January 22, 1952 at Reeves Sound Studio, New York City
Tracks 5 and 10 recorded July 5, 1950 in New York City
Tracks 6-9 recorded March 25, 1952 at Reeves Sound Studio, New York City
Tracks 11-24 recorded May 25, 1953 at Fulton Recording, New York City
Charlie Parker Alto Saxophone
Bernie Privin Trumpet
Flip Phillips Tenor Saxophone
Oscar Peterson Piano
Ray Brown Bass
Charles Mingus Bass
Buddy Rich Drums
Max Roach Drums
Joe Lipman Arranger, Conductor
Norman Granz Producer
Gil Evans Arranger, Conductor
"Arranger? I'd have Joe Lipman. He writes the greatest." So said Charlie Parker. The great alto saxophonist didn't get that many opportunities to record with large ensembles, but the three sessions he did under Lipman's direction are among his most memorable.
Included here, in addition to two selections Lipman arranged for Parker and a string orchestra in 1950, are the complete results of two 1952 sessions for which the arranger put together a roaring, full-strength big band. In Bill Kirchner's notes, Lipman discusses the mechanics of backing Parker with such complex arrangements as "Autumn in New York", which became one of the biggest-selling records of Parker's career.
As a bonus, this CD includes the complete results of Parker's only studio collaboration with another great arranger, Gil Evans. This 1953 session was also the only time Parker ever recorded with a vocal chorus. |
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