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| Tempus Fugue-It |
| Bud Powell |
| első megjelenés éve: 2001 |
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| (2007)
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4 x CD |
| 5.673 Ft
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| 1. CD tartalma: |
| 1. | You Talk A Little Trash
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| 2. | Floogie Boo
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| 3. | I Don't Know
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| 4. | Gotta Do Some war Talk
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| 5. | My Old Flame
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| 6. | Sweet Lorraine
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| 7. | Echoes Of Harlem
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| 8. | Honeysuckle Rose
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| 9. | Roll 'Em
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| 10. | Smack Me
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| 11. | Blue Garden Blues
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| 12. | The Man I Love
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| 13. | Reverse The Charges
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| 14. | September In The Rain
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| 15. | Long Tall Dexter
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| 16. | Dexter Rides Again
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| 17. | I Can't Escape From You
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| 18. | Dexter Digs In
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| 19. | If You Could See Me Now
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| 20. | I Can Make You Love Me If You Let Me
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| 21. | You're Not The Kind
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| 22. | My Kinda Love
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| 2. CD tartalma: |
| 1. | Jay Bird
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| 2. | Jay Bird
Alt. Take
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| 3. | Coppin' The Bop
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| 4. | Jay Jay
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| 5. | Mad Bebop
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| 6. | Bebop In Pastel
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| 7. | Fool's Fancy
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| 8. | Bombay
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| 9. | Ray's Idea
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| 10. | Serenade To A Square
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| 11. | Good Kick
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| 12. | Seven Up
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| 13. | Blues In Bebop
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| 14. | Boppin' A Riff
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| 15. | Fat Boy
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| 16. | Everything's Cool
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| 17. | Webb City
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| 18. | I'll Remember April
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| 19. | Indiana
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| 20. | Somebody Loves Me
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| 21. | I Should Care
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| 22. | Bud's Bubble
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| 23. | Off Minor
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| 3. CD tartalma: |
| 1. | Nice Work If You Can Get It
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| 2. | Everything Happens To Me
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| 3. | Donna Lee
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| 4. | Chasin' The Bird
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| 5. | Cheryl
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| 6. | Buzzy
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| 7. | Tempus Fugue-it
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| 8. | Celia
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| 9. | Cherokee
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| 10. | I'll Keep Loving You
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| 11. | Strictly Confidential
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| 12. | All God's Chillun Got Rhythm
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| 13. | Bouncing With Bud
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| 14. | Wail
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| 15. | Dance Of The Infidels
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| 16. | 52nd Street Theme
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| 17. | You Go To my Head
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| 18. | Ornithology
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| 19. | All God's Chillun Got Rhythm
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| 20. | Sonny Side
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| 21. | Bud's Blues
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| 22. | Sunset
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| 23. | Strike Up The Band
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| 24. | I Want To Be Happy
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| 4. CD tartalma: |
| 1. | Taking A Chance On Love
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| 2. | Fine And Dandy
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| 3. | Fine And Dandy
Alt. Take
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| 4. | So Sorry Please
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| 5. | Get Happy
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| 6. | Sometimes I'm Happy
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| 7. | Sweet Georgia Brown
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| 8. | Yesterdays
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| 9. | April In Paris
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| 10. | Body And Soul
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| 11. | 'Round Midnight
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| 12. | The Street Beat
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| 13. | Out Of Nowhere
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| 14. | Ornithology
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| 15. | I'll Remember April
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| 16. | Hallelujah
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| 17. | Tea For Two
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Jazz / Bop
Bud Powell
Active Decades: '40s, '50s and '60s
Born: Sep 27, 1924 in New York, NY
Died: Jul 31, 1966 in New York, NY
Genre: Jazz
Styles: Bop
One of the giants of the jazz piano, Bud Powell changed the way that virtually all post-swing pianists play their instruments. He did away with the left hand striding that had been considered essential earlier and used his left hand to state chords on an irregular basis. His right often played speedy single-note lines, essentially transforming Charlie Parker's vocabulary to the piano (although he developed parallel to "Bird").
Tragically, Bud Powell was a seriously ill genius. After being encouraged and tutored to an extent by his friend Thelonious Monk at jam sessions in the early '40s, Powell was with Cootie Williams' orchestra during 1943-1945. In a racial incident, he was beaten on the head by police; Powell never fully recovered and would suffer from bad headaches and mental breakdowns throughout the remainder of his life. Despite this, he recorded some true gems during 1947-1951 for Roost, Blue Note, and Verve, composing such major works as "Dance of the Infidels," "Hallucinations" (also known as "Budo"), "Un Poco Loco," "Bouncing With Bud," and "Tempus Fugit." Even early on, his erratic behavior resulted in lost opportunities (Charlie Parker supposedly told Miles Davis that he would not hire Powell because "he's even crazier than me!"), but Powell's playing during this period was often miraculous.
A breakdown in 1951 and hospitalization that resulted in electroshock treatments weakened him, but Powell was still capable of playing at his best now and then, most notably at the 1953 Massey Hall Concert. Generally in the 1950s his Blue Notes find him in excellent form, while he is much more erratic on his Verve recordings. His warm welcome and lengthy stay in Paris (1959-1964) extended his life a bit, but even here Powell spent part of 1962-1963 in the hospital. He returned to New York in 1964, disappeared after a few concerts, and did not live through 1966.
In later years, Bud Powell's recordings and performances could be so intense as to be scary, but other times he sounded quite sad. However, his influence on jazz (particularly up until the rise of McCoy Tyner and Bill Evans in the 1960s) was very strong and he remains one of the greatest jazz pianists of all time.
---Scott Yanow, All Music Guide |
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