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| Christmas in Swingtime |
| Harry Allen |
| első megjelenés éve: 2001 |
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| (2001)
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CD |
| 3.796 Ft
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| 1. | O Christmas Tree
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| 2. | Santa Claus Is Coming to Town
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| 3. | Have Yourself a Merry Little Christmas
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| 4. | Let It Snow! Let It Snow! Let It Snow!
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| 5. | God Rest Ye Merry Gentlemen
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| 6. | White Christmas
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| 7. | Blue Christmas
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| 8. | We Wish You a Merry Christmas
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| 9. | Rudolph the Red-Nosed Reindeer
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| 10. | I'll Be Home for Christmas
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| 11. | Ding! Dong! Merrily on High
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| 12. | Winter Wonderland
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| 13. | A Christmas Love Song
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Jazz / Christmas, Mainstream Jazz, Holidays
Harry Allen Producer, Sax (Tenor)
Hiromichi Takiguchi Engineer
Ikuyoshi Hirakawa Producer
Jake Hanna Drums
Jim Czak Engineer
John Pizzarelli Vocals
Larry Goldings Organ
Peter Bernstein Guitar
This Christmas jazz release was released in Japan by BMG. The excellent swing tenor Harry Allen (whose tone is reminiscent of Stan Getz) is heard in a quartet with organist Larry Goldings, guitarist Peter Bernstein, and drummer Jake Hanna. Sticking mostly to familiar christmas songs, Allen swings his way through such tunes as "Santa Claus Is Coming to Town," "Rudolph the Red Nosed Reindeer," and "Winter Wonderland," with John Pizzarelli taking a guest vocal on "Blue Christmas." This is a warm and accessible album that has its appeal beyond the jazz audience, although it will be difficult to locate in the U.S. ~ Scott Yanow, All Music Guide
Harry Allen
Active Decades: '50s, '80s, '90s and '00s
Born: Oct 12, 1966 in Washington D.C.
Genre: Jazz
Styles: Swing, Mainstream Jazz
Fathers serious about seeing their sons one day becoming famous athletes begin developing their offspring's skills at a very young age. In the case of Harry Allen's father, who was a big band drummer, he played jazz records each day for Harry before he went off to kindergarten. Starting off with accordion lessons, there was a fortuitous switch to saxophone a few years later. Attending Rutgers University, Allen studied saxophone with Sahib Shibab, Bob Mintzer, and John Purcell. In 1989, he graduated from Rutgers with a degree in jazz tenor saxophone. While at Rutgers, Allen got his first gig with the help of master bass player Major Holley, where he replaced Zoot Sims at a studio recording with John Bunch, George Masso, Bucky Pizzarelli, and Ruby Braff. During the session, Dizzy Gillespie dropped by. Quite heady company for a young tenor player doing his first recording. Wholley also led Allen to Oliver Jackson, who Allen subsequently accompanied on several tours to Europe. A 1986 session with Kenny Barron was Allen's first recording date. After that, Allen had 19 recordings to his name for such labels as Progressive, Audiophile, and Nagel-Heyer. Later, his recordings were with major label RCA-Victor. Three of his discs have been awarded a Gold Disc by Swing Journal Magazine and his CD Tenors Anyone won both the Gold Disc and New Star awards. He has recorded as a sideman with Bucky Pizzarelli (with whom he performs quite frequently), Warren Vache, and Jeff Hamilton. Allen's musical inspiration and interpretive approach come from the giants and innovators of mainstream saxophone, including Coleman Hawkins, Ben Webster, Stan Getz, Illinois Jacquet, and Lester Young. Unlike many of his contemporaries, Allen has pretty much eschewed the modern, avant-garde, and impressionist schools of jazz of John Coltrane, Archie Shepp, and Ornette Coleman. Allen continues to record extensively and makes frequent appearances at jazz festivals and concerts.
---Dave Nathan, Rovi |
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