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| 3.311 Ft
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| 1. | Blue Bossa
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| 2. | Wistful Moment
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| 3. | Emily
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| 4. | Samia
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| 5. | Etude No. 14 in F Minor, Opus 25, No. 2
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| 6. | Variations on an Autumn Theme
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| 7. | As Long as I Live
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| 8. | Shine
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| 9. | Two for the Road
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| 10. | Entr'acte
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| 11. | Afterthought
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| 12. | Samia [2nd Version]
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| 13. | A Flower for All Seasons
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| 14. | Blue Bossa [2nd Version]
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Jazz
Eddie Daniels - Clarinet, Clarinet (Bass), Flute, Flute (Alto)
Bucky Pizzarelli - Guitar (Acoustic), Guitar (Electric)
* Alan Bates - Producer
* Gerry MacDonald - Engineer, Liner Notes, Producer
* Laurie MacGowan - Photography
* Malcolm Walker - Design
Eddie Daniels
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Oct 19, 1941 in New York, NY
Genre: Jazz
Styles: Chamber Jazz, Contemporary Jazz, Fusion, Hard Bop, Post-Bop, Third Stream
One of the truly great jazz clarinetists (ranking at the top with Benny Goodman, Artie Shaw, and Buddy DeFranco), Eddie Daniels makes the impossible look effortless. On his first GRP release, Breakthrough, in 1984, Daniels switched back and forth on a second's notice between jazz and classical and he has since explored Charlie Parker, Roger Kellaway tunes, crossover, and even swing with consistent brilliance. He is also a dazzling (if underrated) tenor player. Daniels appeared at the 1957 Newport Jazz Festival in Marshall Brown's Youth Band (playing alto) and after graduating from Juilliard in 1966, he played tenor with the Thad JonesMel Lewis Orchestra for six years. Daniels recorded First Prize as a leader (1966) and made albums with Freddie Hubbard (1969), Richard Davis, Don Patterson, and duets with Bucky Pizzarelli (1973). Although he recorded as a leader for Muse and Columbia during 1977-1978, Eddie Daniels did not make it big until he started specializing on clarinet and recording regularly for GRP in 1984. In 1992, he started doubling on tenor again when his reputation on clarinet was secure.
---Scott Yanow, All Music Guide |
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