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| 4.161 Ft
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| 1. | The Cloister
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| 2. | Brooklyn Sometimes
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| 3. | The Cross
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| 4. | If I Should Lose You
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| 5. | Synthetics
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| 6. | Use of Light
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| 7. | Cake
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| 8. | Deep Song
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| 9. | Gesture (Lester)
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| 10. | The Next Step
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Jazz
Kurt Rosenwinkel - Guitar, Piano, Producer, Vocals, Voices
Ali Muhammed Jackson - Drums
Brad Mehldau - Piano
Jeff Ballard - Drums
Joshua Redman - Associate Producer, Sax (Tenor)
Larry Grenadier - Bass
* Anders Chad Tidemann - Executive Producer
* Aya Takemura - Assistant Engineer
* Erib Whelan - Release Coordinator
* Gary Gershoff - Photography
* Greg Calbi - Mastering
* Hollis King - Art Direction
* Ian Gittler - Photography
* James Farber - Associate Producer, Engineer
* Kelly Pratt - Release Coordinator
* Rika Ichiki - Design
Guitarist Kurt Rosenwinkel's Deep Song is an intimately atmospheric album that finds the ever-reaching jazz musician in the company of a stellar ensemble. Rosenwinkel has always displayed the strong influences of such expansive players as Pat Metheny, John Scofield, and Pat Martino, and tracks such as the continually overlapping "The Cloister" do nothing if not reinforce such high comparative praise. In fact, Rosenwinkel's moody take on "If I Should Lose You" brings to mind such cerebrally mellow Martino classics as We'll Be Together Again and Cream. Joining him here are the deep-color talents of saxophonist Joshua Redman, pianist Brad Mehldau, bassist Larry Grenadier, and drummers Jeff Ballard and Ali Jackson.
---Matt Collar, All Music Guide
Kurt Rosenwinkel
Active Decades: '90s and '00s
Genre: Jazz
Styles: Modern Creative, Post-Bop
Guitarist Kurt Rosenwinkel began his professional career in 1990, when he dropped out of Berklee only two and a half years into his college education to go on tour with Gary Burton and his band. Burton gave the young musician a hand up, helping him move to New York, giving him money, and setting him up with the kind of connections that Rosenwinkel needed to get started. The effort paid off when Rosenwinkel shortly became one of the most respected jazz guitarists on the East Coast. His fluid style got him jobs as a member, session musician, and touring musician within a number of ensembles and earned him praise from other veteran guitarists like John Scofield and Pat Metheny. Over the following eight years he was featured on 12 albums, with Burton, Paul Motian, Mark Turner, Seamus Blake, and others. He also won a Composer's Award from the National Endowment for the Arts in 1995. In 1998 he released a solo album on Criss Cross Records -- a collection of standards entitled Intuit. 2000 brought him his major-label debut on Verve, Enemies of Energy, which allowed him to stretch creatively and simultaneously show off the performance skills which were honed during touring and nearly weekly gigs at Small's in New York as well as his interpretive and compositional strengths. Next Step followed in early 2001.
---Stacia Proefrock, All Music Guide |
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